OPENINGS:  The most hyped box office weekend of the year delivered and then some.  BARBIE (Mattel/Warners) burst into theaters with $155M, technically the best of the year (although the $146.4M for Super Mario Bros came after a Wed-Thurs start that had already brought in $58.3M).  Among the many records set by the blockbuster were […]

  OPENINGS:  There had been an expectation, or at least a hope, that MISSION: IMPOSSIBLE – DEAD RECKONING PART I (Skydance/Paramount) would get a boost from the spectacular performance of Top Gun: Maverick, but that didn’t come to pass, and Mission 7 performed in line with others in the franchise.  That meant $56.2M over the […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]

  OPENINGS:  INDIANA JONES AND THE DIAL OF DESTINY (Paramount/Lucasfilm/Disney) barely scraped the bottom of weekend expectations with $60M, and that studio estimate assumes an very strong Sunday.  The extremely expensive tentpole–$400M+ in production and worldwide marketing costs–combined an elderly franchise built around an 80-year old star with mediocre reviews following an ill-advised Cannes premiere, […]

  Sadly, we have to announce that after this week, we will no longer be able to provide TV ratings to readers, and thus that ShowbuzzDaily will be effectively ending its operations.  To be clear, unlike other interruptions that we’ve had, this isn’t due to a technical issue that can be fixed.  It’s also not […]

  OPENINGS:  NO HARD FEELINGS (Columbia/Sony) slightly exceeded tracking expectations with $15.1M, but those expectations were themselves quite low.  With production and worldwide marketing costs in the neighborhood of $100M, the film will need to hold strongly for the next several weeks to reach any profit, and while it has the hard-R comedy field to […]

  OPENINGS:  There wasn’t any good news for this week’s wide releases, and that began with the weekend’s leader, as THE FLASH (DC/Warners) failed to meet even the lowest expectations with a sluggish $55.1M start.  (The studio’s 4-day estimate, including the Monday Juneteenth holiday, was an optimistic $64M.)  The 3-day total was significantly lower than […]

  OPENINGS:  TRANSFORMERS: RISE OF THE BEASTS (Hasbro/Paramount) launched at the higher end of tracking expectations with $60.5M.  Beasts is a much bigger-budgeted effort than its immediate predecessor, 2018’s Bumblebee (which opened with $21.7M but had a 6x multiple thanks to word of mouth and the dynamics of the Christmas box office).  More impressively, Beasts […]