OPENINGS: We’ll find out tomorrow if the studio’s $100.2M US weekend estimate for THE FATE OF THE FURIOUS (Universal), which counts on an influx of post-church Easter Sunday Christians, will slip into double figures. But even if the number holds, it’s down 32% from the Furious 7 opening. If Universal’s hypothesis that this decline […]
OPENINGS: Not much changed between Friday’s results and weekend studio estimates. THE DARK TOWER (MRC/Columbia/Sony) was unsurprisingly frontloaded between fans of the novels and bad word of mouth, and it dropped 13% on Saturday. Sony is projecting a $19.5M weekend (the fact that the studio didn’t push the number past $20M indicates either honesty […]
HOLDOVERS: On a weekend without new wide releases, COCO (Pixar/Disney) had no trouble holding its crown with $26.1M. Its 49% drop from Thanksgiving weekend was better than other Disney animations in that slot (50% for Moana, 56% for Tangled, 53% for Frozen), and it should be on track for $225M+ in the US. Coco […]
OPENINGS: THE EQUALIZER 2 (Escape Artists/Columbia Sony) rode a relatively stable Saturday (down 5% from Friday) to a $35.8M weekend win, up about 5% from the opening for the first Equalizer in 2014. That film had an 8% Saturday bump, suggesting that the sequel, like most sequels, will burn out faster than the original, […]
OPENINGS: FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (Warners) opened at $62.2M in the US, down 16% from the first Beasts. In addition, it was more front-loaded, with a 16% Saturday drop compared to 12%. Exit polls and reviews suggest that word of mouth won’t be as strong this time, so a $200M US total […]
OPENINGS: For a movie aimed at children that isn’t a frontloaded franchise installment, WONDER PARK (Nickelodeon/Paramount) had an unimpressive 19% Saturday bump, and it emerged with a $16M weekend that won’t do it much good against production/marketing costs in the neighborhood of $200M–especially with Disney’s Dumbo just 2 weeks away. The initial overseas results […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -8% below last year’s comparable span (one point better than two weeks ago) and now -1% below this point the past four years ($5.728 billion). Over the same period, […]
OPENINGS: FORD VS. FERRARI (20th/Disney) had a strong start with $31M, and will hope to extend its run through the holidays and into Oscar season based on its initially older-skewing audience and excellent reviews and exit polls. The only caution is that FvF was pricey for a non-IP project, with around $200M in production/marketing […]