> The probable effect of Irene is most evident in the weekend’s limited releases, where loss of NY business would have been most damaging.  HIGHER GROUND, seemingly headed for a per-theatre average of $12K, could only manage $7600, while CIRCUMSTANCE, on track for a $8K average, made it to only $6200.  Similarly, some expansions were […]

  OPENINGS:  Two studios stretched as far as they could in coming up with weekend estimates for their bombs, claiming the lowest Sunday drops in the Top 10 to reach numbers that may well fall when actual figures are released on Monday.  The sadder story was JACK THE GIANT SLAYER (Warners), as though it really […]

STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, only moderate changes for each studio.  The biggest gainer this week was Paramount, which released a film from its tiny slate: Jackass Presents: Bad Grandpa. However, it shows just how slow the box office environment is right now when a $93 million weekly gain is tops among […]

> Well, there’s something you don’t see every day:  2 studios both content to forego bragging rights for the Sunday weekend estimates and wait for actual numbers on Monday, when public attention is lower. (Note:  The Hot Blog, which calculates its own numbers, has COWBOYS & ALIENS up by $100K.)  The important thing to remember […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +7% above last year and still +12% above the average for this point […]

  OPENINGS:  PAUL BLART: MALL COP 2 (MGM/Sony/Columbia) was at the high end of diminished expectations with $24M.  That’s roughly 25% below the $31.8M start for the first Paul Blart, not a surprise considering that the Blart franchise was far from universally beloved.  The question will be whether Blart 2 can have anything like its […]

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]

  OPENINGS:  After an interruption for The Batman, the MCU resumed its place at the top of popular culture with the arrival of DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (Marvel/Disney), which launched within the industry’s very high expectations at $185M in the US.  That’s roughly the same as Avengers: Age of Ultron ($191.3M), and […]