OPENINGS:  HOBBS & SHAW (Universal) dropped 13% on Saturday, considerably less frontloaded than the 31% Saturday drops for the last 2 Fast & Furious titles, The Fate Of the Furious and Furious 7.  Both of those shed an additional 29-31% on their first Sundays, and Universal is optimistically assuming a mere 20% drop for […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still +1% above this point the past four years ($9.593 billion).  Over the same period, Hollywood films have grossed over $25.5 billion […]

  OPENINGS:  There were no new wide openings this weekend, and with the postponement of No Time To Die until 2021, and the announcement that Regal Theaters may be re-closing some or all of its houses, it’s not clear when the major studios will be returning.  (Currently Pixar/Disney’s Soul and Universal’s The Croods 2 are […]

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS:  FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]

  OPENINGS:  No one, including its studio, expected much from the remake of FIRESTARTER (Blumhouse/Universal, also on Peacock), and it delivered a weak $3.8M that suggests an eventual $10M US total.  Economics become murky when films also premiere on streaming, but that certainly isn’t good.  Things were no better overseas, where Firestarter limped to $2.1M […]

  OPENINGS:  KNOCK AT THE CABIN (Universal) won the eternal footnote that it was the film to finally dethrone Avatar 2 at the top of the box office, but its $14.2 start was at the low end of expectations, below the $16.8M for 2021’s Old and thus M. Night Shyamalan’s lowest opening since his pre-Sixth Sense […]

  OPENINGS:  Just about everything about the release of TAYLOR SWIFT: THE ERAS TOUR (Variance/AMC Theaters) has been unique, and that includes the fact that the theater chain, a first-time distributor, has announced the weekend box office as $95-97M for now, with a definite number to be issued tomorrow.  Even at the high end, that’s […]

  OPENINGS:  DEADPOOL AND WOLVERINE (Marvel/Disney) landed at the top of sky-high expectations with $205M in the US and $233.3M overseas, the best US (and MCU) start since Spider-Man: No Way Home in 2021, the best worldwide launch since Avatar: The Way of Water in 2022, and by far the biggest opening ever for an […]