OPENINGS:  The release strategy for 1917 (Universal) has gone just about perfectly, culminating in a $36.5M wide opening weekend that was significantly ahead of industry expectations.  Universal screened the film to critics and guild groups at the end of November, unveiled it in limited release on Christmas Day with the benefit of strong reviews, […]

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 weeks–an arrangement that looks awfully good for theatres compared to Warners’ new plan to day-and-date releases at home from opening […]

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patrol, which was also simultaneously released on Paramount+ and opened on a Friday.  Paw Patrol totaled $40.1M in the US, and […]

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

  OPENINGS:  Despite a bounty of new titles, nothing touched the holdover at the top of the weekend box office.  The newcomer with the closest claim to “success” in the US was THE POPE’S EXORCIST (Screen Gems/Sony), with $9.2M.  The horror movie also reported $27.4M in overseas release, which would put it on a road […]

  OPENINGS:  The traditional horror movie start of the new year was provided by NIGHT SWIM (Blumhouse-Atomic Planet/Universal), although at $12M it was the lowest such arrival since The Grudge started with $11.4M in 2020.  The final number for that one was $21.2M, and Night Swim probably won’t be much higher.  The international launch was […]

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new entry in the unrated, ultra-violent slasher series accomplished this with not just a low production budget, but reportedly a miniscule amount […]

> BREAKING DAWN PART 1:  Although BD1 had greater declines on Friday (as opposed to Thursday midnight) and Saturday than New Moon did in 2009, Summit’s weekend estimate assumes exactly the same 34% drop for Sunday.  So it’s possible their $139.5M figure could come down a bit in the actuals tomorrow (which could move the […]