OPENINGS:  THE AMAZING SPIDER-MAN 2 (Sony) won’t arrive in the US for almost 2 weeks, and so far it’s in only 14 international markets–and it was still the biggest story of the weekend, pulling in $47M in those territories, which included portions of Europe as well as Australia and Mexico.  Amazing 2 is following […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studios (films entering wide release in the 2019 calendar year), including worldwide box office for those films during 2020. We will begin the track of the 2020 slate soon.   BOX OFFICE. Looking at North American box office, 2020 is now […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio, including early 2018 dollars for films released later in 2017. We will start tracking the 2018 studio slates in a few weeks. YEAR TO DATE BOX OFFICE. A first look at 2018 year to date after only one week. A reminder: […]

WORLDWIDE STUDIO SCORECARD.  Here is our first look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +1% above last year and now +10% above the average for this point the past four years ($1.257 billion).  Over the same period, Hollywood films have grossed […]

> As detailed in Mitch Metcalf’s Weekend Boxoffice Report, New Year’s Day wasn’t the bonanza the studios were expecting it to be. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL‘s Sunday increase was less than half of the 33% projected, and it’s likely to fall another 15-20% today, giving it a bit over $140M in total and […]

  Paul W.S. Anderson and Paul Thomas Anderson share the glory. OPENINGS:  W.S. Anderson’s RESIDENT EVIL:  RETRIBUTION (Screen Gems/Sony) took the weekend, but its $21.1M haul is the lowest the series has seen in a decade, and 20% below the opening of the last installment.  All of this only means something if it’s reflected overseas, […]

  OPENINGS:  FORD VS. FERRARI (20th/Disney) had a strong start with $31M, and will hope to extend its run through the holidays and into Oscar season based on its initially older-skewing audience and excellent reviews and exit polls.  The only caution is that FvF was pricey for a non-IP project, with around $200M in production/marketing […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is still marginally above last year and still +3% above the average for this point the past four years ($10.184 billion).  Over the same period, Hollywood films have grossed $26.2 billion worldwide when […]