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Behind the US/Worldwide Weekend Box Office – 8.25.2019

Posted August 25, 2019 by Mitch Salem

  OPENINGS:  ANGEL HAS FALLEN (Millenium/Lionsgate) smartly picked a weekend to open that was far enough away from Hobbs & Shaw with its larger and overlapping audience, and near enough to the end of summer to keep the competition sparse  The result was a solid $21.3M opening, almost the equal of the last franchise installment […]

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Year to Date Box Office & Worldwide Studio Scorecard 1.5.2020

Posted January 5, 2020 by Mitch Metcalf

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 ends -4% below last year’s comparable 52-week span and basically even with this point the past four years ($10.656 billion).  Over the same period, Hollywood films have grossed over $27.7 billion […]

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US/Worldwide Weekend Box Office Report – 11.15.2020

Posted November 15, 2020 by Mitch Salem

  OPENINGS:  FREAKY (Blumhouse/Universal) led the weekend at $3.7M.  It was the third consecutive weekend that a Universal-branded film opened at #1 (aided by the studio’s deal with AMC that allows its films to hit digital 3 weeks after theatrical release) and the fifth new #1 to open in the $3.1-4.1M range.  Like the others, […]

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Behind the US/Worldwide Weekend Box Office 10.24.2021

Posted October 24, 2021 by Mitch Salem

  OPENINGS:  DUNE (Legendary/Warners, also on HBO Max) launched in US theaters at $40.1M, the highest start for a film also premiering on HBO Max.  (And while Warners had previously preserved Thursday night for theatrical-only, the studio allowed Dune to hit HBO Max nationwide simultaneous with its first East Coast screenings.)  The film should also […]

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Behind the US/Worldwide Weekend Box Office – 6.26.2022

Posted June 26, 2022 by Mitch Salem

  OPENINGS:  ELVIS (Warners) opened at the higher end of low expectations with $30.5M.  That technically put it into a dead heat with Top Gun: Maverick for the weekend crown, although that’s misleading because like virtually all big-studio openings, Elvis essentially had a 4-day opening, while Maverick‘s weekend didn’t get to count any of its […]

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Behind the US/Worldwide Weekend Box Office – 3.28.2023

Posted March 26, 2023 by Mitch Salem

  OPENINGS:  JOHN WICK: CHAPTER 4 (Lionsgate) roared to a $73.5M start, more than 20% higher than its predecessor Parabellum‘s $56.8M.  If it holds at that pace–and it has no direct competition until Renfield on April 14–it should become the first title in the franchise to pass $200M in the US.  (Already, Lionsgate is pushing […]

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Behind the US/Worldwide Weekend Box Office – 12.10.2023

Posted December 10, 2023 by Mitch Salem

  OPENINGS:  Hiyao Miyazaki’s THE BOY AND THE HERON (GKids) exceeded expectations and set a high-water mark for its filmmaker and for non-franchise Japanese animation with a $12.8M launch.  The film will lose its Imax screens next week and faces challenges from other family-oriented films, but if word of mouth is strong and it can […]

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Behind the US/Worldwide Box Office – 9.22.2024

Posted September 22, 2024 by Mitch Salem

  OPENINGS:  TRANSFORMERS ONE (Hasbro/Paramount) underdelivered vs projections by about 20%, and its dim $25M start didn’t even give it the weekend’s #1 ranking at the box office.  Paramount was taking a calculated risk by rebooting the franchise via PG-rated animation, and it doesn’t seem to have worked out.  It faces direct competition next weekend […]

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