OPENINGS:  We’ll see how the numbers hold up in tomorrow’s finals, but for now at least THE BOSS BABY (DreamWorks Animation/20th) is the weekend winner with $49M, considerably better than expectations.  The only dour note on the success is that it was rather frontloaded for a family non-sequel, with a 28% Saturday bump.  That […]

WORLDWIDE STUDIO SCORECARD.  Year to date, Sony and Universal (on the basis of sheer volume of films) is slightly ahead of Warner Brothers (the studio with the year’s only big hit so far), although three studios are very close to each other. Scroll down for domestic and overseas grosses for each film individually so far […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now -2% below last year and still +1% above the average for this point the past four years ($4.577 billion).  Over the same period, Hollywood films have grossed $12.2 billion worldwide when we […]

  OPENINGS:  THE EQUALIZER 3 (Escape Artists/Columbia/Sony) performed both within expectations and at around the same level as its predecessors, with $34.5M for the 3-day weekend compared to $36M for Equalizer 2 and $34M for the first in the franchise.  (The Monday holiday is projected to bring the total to $42M.)  Also like the previous […]

  OPENINGS:  The only wide launch this week (2027 theatres) was the horror movie THE EMPTY MAN (20th/Disney), which despite its big-studio credentials had a nearly invisible level of marketing behind it, and started with a $1.3M weekend that was low even by pandemic standards. AFTER WE COLLIDED (Open Road) had a limited arrival at […]

OPENINGS:  THE LONGEST RIDE (20th) tried to counterprogram Furious 7 with a Nicholas Sparks romance, but didn’t even muss the blockbuster’s hair with a $13.5M opening.  That’s better than the lousy $10M start for last year’s Sparks adaptation The Best Of Me, and that’s the sum total of the positives in the context of other […]

  OPENINGS:  Everything stayed pretty much as is after Monday’s estimates were released.  THE POSSESSION (Lionsgate) has the #2 Labor Day 4-day opening weekend with $21.3M.  LAWLESS (Weinstein Company) is trying to stay ahead of last year’s The Debt, and is currently claiming to be $148,400 in front over 4 days–we’ll find out tomorrow if that’s […]

  OPENINGS:  MONKEY MAN (Universal) walked an odd path to theaters, originally being targeted for a Netflix release.  While the result earned strong reviews (87% on Rotten Tomatoes), there was no storybook ending at the box office, as Dev Patel’s film was below expectations at $10.1M.  Nor did Monkey Man stir much excitement overseas, with […]