OPENINGS: In the US, THE MAZE RUNNER: THE DEATH CURE (20th) had an OK start with $23.5M, down from $32.5M/$30.3M for the first 2 films in the series. It’s on track for $60-65M here. However, it’s off to a much better start overseas, where it’s in 70 markets (with about half a dozen still […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +10% above last year and still +16% above the average for this point the […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +8% above last year and still +11% above the average for this point […]
OPENINGS: POKEMON: DETECTIVE PIKACHU (Legendary/Warners) started strong in the US with $58M, not that far off the $69.1M launch of The LEGO Movie. Pikachu may not have that movie’s legs, especially with Aladdin just 2 weeks away, but it should total $175-200M here. Pokemon in general is a more worldwide phenomenon than LEGO, which […]
OPENINGS: Labor Day weekend is traditionally Hollywood’s graveyard, and no major studio touched the holiday with a fresh arrival. DON’T LET GO (Blumhouse Tilt/OTL) tried to take advantage of the quiet, with a $2.4M start in 922 theatres, which should go to $3M with Monday. Even considering its very low production/marketing budget, this will probably end […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studios (films entering wide release in the 2019 calendar year), including worldwide box office for those films during 2020. We will begin the track of the 2020 slate soon. BOX OFFICE. Looking at North American box office, 2020 begins +7% above […]
OPENINGS: Under the current circumstances, the 5-day $17M opening ($9.7M Friday-Sunday) for THE CROODS: A NEW AGE (DreamWorks Animation/Universal) counts as a win, with comparisons to the original Croods or any other Thanksgiving release fairly pointless. The film also earned $19.2M in China and $1.6M in 6 smaller international markets. New Age reportedly had […]
OPENINGS: ETERNALS (Marvel/Disney) opened at the low end of expectations with $71M, not a surprise given its lousy reviews (48% on Rotten Tomatoes, unprecedented for the MCU) and blah audience exit polls. Even so, that makes it the #4 US opening of the pandemic era, and all of those quartet members are Marvel movies. […]