OPENINGS: The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows. Miss Peregrine cost less than Shadows, which will help (reportedly by about $40M), but this is still not much more than a breakeven proposition on a fairly large investment […]
OPENINGS: It was important for THE MAGNIFICENT SEVEN (Village Roadshow/MGM/Columbia/Sony) to hit the $35M that the studio is currently claiming, because that puts it slightly over the two obvious comparisons: the $34.1M for the last Denzel Washington/Antoine Fuqua collaboration The Equalizer, and the $34.5M just a few weeks ago for Sully, a film similarly […]
OPENINGS: None of the studio releasing new films this weekend had much to be happy about. BLAIR WITCH (Lionsgate) was the top of the newcomers in the US, but with a $9.7M start, it’s low-end even by the standards of cheap horror movies, and while its $5M production budget isn’t a problem, its $40-50M […]
OPENINGS: THE LIGHT BETWEEN OCEANS (DreamWorks/Reliance/Participant/Disney) brings to an ignominious end the distribution relationship between DreamWorks and Disney. Their final shared title disappointed on every level, with a $5M 3-day weekend that might become $6M on Monday, and no chance of recouping its costs. Even though the weak reviews, length and period setting worked […]
OPENINGS: DON’T BREATHE (Screen Gems/Sony) had an unusually strong Saturday for a horror movie, down just 1% from Friday (which, remember, these days includes Thursday night). By way of comparison, Lights Out fell 22% on its 2d day of release. That propelled Don’t Breathe to an exceptional $26.1M weekend, the biggest opening for a […]
OPENINGS: The weekend’s tallest dwarf was WAR DOGS (RatPac/Warners) with a soft $14.3M start. The 12% Saturday drop indicates that word of mouth isn’t great, and early international numbers are weak as well, with $6.5M in 31 markets. War Dogs cost $125M+ in production and worldwide marketing, and it seems likely to add to […]
OPENINGS: The SAUSAGE PARTY (Annapurna/Columbia/Sony) audience was somewhat frontloaded, with a 16% Saturday decline, but the weekend total of $33.6M was still outstanding, the best starring debut for Seth Rogen since the original Neighbors, and higher than the $33M 5-day opening for This Is The End (which opened on a Wednesday). There’s certainly nothing […]
OPENINGS: The answer to the question of whether the Day 2 drop for SUICIDE SQUAD (RatPac/DC/Warners) would be as bad as the one for Batman v Superman turned out to be no–it was worse. Suicide plunged 41% on Saturday, compared to BvS‘s 38%. That’s the kind of drop usually associated with the hugely-frontloaded Twilight series, […]