OPENINGS:  DOCTOR STRANGE (Marvel/Disney) did what a Marvel movie is supposed to do.  In the US, its $85M debut was higher than the starts of Captain America and Thor (both $65-66M), and just a hair away from the November opening of Thor 2 ($85.7M), it not quite in a league with the $94.3M for […]

  OPENINGS:  As is frequently the case these days, the biggest opening numbers are outside the US.  DOCTOR STRANGE (Marvel/Disney) won’t arrive here until Thursday night, but it’s already racked up $86M in 33 overseas territories covering less than half the world, and not including China or Japan.  It’s a particularly impressive start since Strange […]

  OPENINGS:  BOO! A MADEA HALLOWEEN (Lionsgate) took the weekend with $27.6M, Tyler Perry’s biggest start since the $29.3M for 2010’s Why Did I Get Married Too.  Perry’s movies tend to run out of steam quickly, but Boo had an encouraging 24% Saturday bump, and even if Boo only reaches $60M in the US (and […]

  OPENINGS:  The biggest arrival of the weekend is still 2 weeks away from reaching the US.  INFERNO (Columbia/Sony), the latest in the DaVinci Code/Angels & Demons franchise, opened in 53 markets comprising about 2/3 of the world with $50M.  That’s a solid start, but suggests that when the movie goes worldwide (except for France) […]

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar.  The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost less than Shadows, which will help (reportedly by about $40M), but this is still not much more than a breakeven proposition on a fairly large investment […]

  OPENINGS:  It was important for THE MAGNIFICENT SEVEN (Village Roadshow/MGM/Columbia/Sony) to hit the $35M that the studio is currently claiming, because that puts it slightly over the two obvious comparisons:  the $34.1M for the last Denzel Washington/Antoine Fuqua collaboration The Equalizer, and the $34.5M just a few weeks ago for Sully, a film similarly […]

  OPENINGS:  None of the studio releasing new films this weekend had much to be happy about.  BLAIR WITCH (Lionsgate) was the top of the newcomers in the US, but with a $9.7M start, it’s low-end even by the standards of cheap horror movies, and while its $5M production budget isn’t a problem, its $40-50M […]