OPENINGS: Coming into this weekend, the discussion about BLADE RUNNER 2049 (Alcon/Sony/Warners) was mostly about whether with its critical raves it could exceed expectations by 20% or so and become October’s #1 opening. But things went in the other direction, and its current $31.5M estimate doesn’t even put it in the month’s Top 20. […]
OPENINGS: THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) had a solid 83% family matinee bump on Saturday, but its $34.4M weekend studio estimate is still down more than 50% from the opening of the original Lego Movie, and down 35% from The Lego Batman Movie. (It’s considerably better than the relatively disastrous […]
OPENINGS: The entertainment business revolves these days around IP, but not all franchises are created equal, and there turned out to be a thunderous lack of interest in TERMINATOR: DARK FATE (Skydance/Tencent/20th/Disney/Paramount), which opened to just $29M in the US against production/marketing costs of $300M+. A big-budget action epic in that predicament normally hopes […]
OPENINGS: There were no wide openings this weekend. Limited releases included WILD MOUNTAIN THYME (Bleecker Street, also available digitally) at 450 theatres with a $223 per-theatre weekend average and a $100K total; and ARCHENEMY (RLJE, also available digitally) at 94 theatres with a $592 average and a $55K total. HOLDOVERS: THE CROODS: A NEW […]
OPENINGS: GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted. Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]
OPENINGS: Jordan Peele’s NOPE (Universal) premiered on the lower end of expectations at $44M. That’s a significant number for a project that isn’t based on preexisting IP, but down 38% from Peele’s US, and Nope reportedly cost about $40-50M more than US to produce. Add the fact that Peele’s films haven’t performed particularly well […]
OPENINGS: EVIL DEAD RISE (Warners) modestly exceeded expectations with $23.5M, although that was still below the franchise’s last reboot in 2013 at $25.8M (which only reached a $54.2M total in the US and didn’t spawn a sequel). Horror has become the most dependable genre in Hollywood, and Evil Dead Rise is the only one […]
OPENINGS: The musical remake of MEAN GIRLS (Paramount) was within expectations at $28M for the 3-day weekend ($32M is anticipated with the inclusion of Monday’s MLK Day holiday). The film, which was originally developed for streaming, had a moderate budget, so it should be on its way to a fair amount of profit. The […]