Based on Friday’s and Saturday’s grosses, weekend #3 of 2015 looks like $185 million for the top 12 films Friday-Sunday, even better than the estimate yesterday ($172 million), way up from the norm for this weekend and setting a new record for the third weekend in January, breaking last year’s brief record (see track below […]

Based on Friday’s grosses, weekend #31 of 2015 looks like $140 million for the top 12 films Friday-Sunday, a touch below the norm for this weekend (see track below). Opening at 3,956 theaters Friday, Mission: Impossible — Rogue Nation from Paramount is now on track for a $56.0 million opening three-day weekend (slightly above our $55.0 million ShowBuzzDaily forecast earlier […]

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest that the overall multiple from opening weekend may not reach the heady heights that Pixar is used […]

  OPENINGS:  We won’t really know the order of the weekend’s closely-bunched Top 3 movies until final numbers are released tomorrow, but since the default position of any studio with a new opening is to claim victory, the fact that AMERICAN MADE (Cross Creek/Universal) is currently in 2nd place with $17M can’t be a good […]

  OPENINGS:  With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster.  In the US, Solo fell 30% on Saturday (by comparison, last year’s Memorial Day opening Pirates of the Caribbean 5, a movie no one particularly loved, dropped only 14% on its Saturday, […]

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with a sluggish $6.7M start.  The 5% Saturday bump suggests that word of mouth isn’t bad, but next weekend it will have […]

  OPENINGS:  MALEFICENT: MISTRESS OF EVIL (Disney) had a weak $36M start in the US, down 48% from the $69.4 opening of the first Maleficent 3 years ago.  If Mistress of Evil manages the same multiple as its predecessor, it could reach $125M in the US, but that may be a stretch, because Maleficent opened […]

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 weeks–an arrangement that looks awfully good for theatres compared to Warners’ new plan to day-and-date releases at home from opening […]