> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

> So you love me, after all Based on Friday and Saturday box office (and estimated Sunday numbers), Puss in Boots almost matched its three-day opening in weekend two, bringing its 10-day total to $76 million and increasing the final domestic estimated total to a very good $170 million.  Tower Heist and A Very Harold […]

>Eight full weeks into 2012, domestic box office continues to run well ahead of last year’s slow pace and now is almost 10% ahead of the comparable period’s average for the last several years. The Past Week: Total Box Office Volume All films in wide release playing between February 20 and February 26 grossed a […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +2% above last year and still +4% above the average for this point the past four years ($6.177 billion).  Over the same period, Hollywood films have grossed over $17.5 […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -18% below last year’s comparable span (1 point better than last week) and now -16% below the average for this point the past four years ($2.351 billion).  Over the same […]

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty and make a better life.  Celebrated examples in festival history include Girlfight and Real Women Have Curves; Filly Brown, while […]

Based on Friday’s and Saturday’s grosses, weekend #5 of 2015 now looks like $87 million for the top 12 films Friday-Sunday, somewhat above the norm for this weekend but not as strong as our optimistic forecast.   Opening at 2,893 theaters Friday, Project Almanac from Paramount is on track for an $8.5 million opening three-day weekend (well below […]

Based on Friday’s grosses, weekend #34 of 2015 looks like $93 million for the top 12 films Friday-Sunday, somewhat above the norm for this weekend (thanks mostly to Straight Outta Compton and definitely not the three openers) but below the same weekend last year (see track below). Opening at 2,766 theaters Friday, Sinister 2 from Focus/Universal is on track […]