STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, Sony moved ahead of Paramount (taking over 5th place) with $70 million of revenue this week (from continued overseas revenues from Mortal Instruments, White House Down and Smurfs 2).  Warner Brothers had an even better week ($76 million, mostly from overseas grosses for We’re the […]

> THE HELP continues to have a strong head start on the weekend boxoffice.  The Hollywood Reporter says the film grossed $4.3M on Thursday, down only around 20% from its opening day on Wednesday, which gives it almost $10M for the 2-day period.  This suggests the picture isn’t particularly front-loaded, and may foretell a solid […]

> 1:45AM UPDATE:  Deadline has updated its numbers, and the news keeps getting worse for THE THREE MUSKETEERS:  it now appears that the film won’t even get to $3M for Friday, meaning a dreadful $8M or so for this $90M budgeted bust.Most holdovers are doing very well, with FOOTLOOSE, DOLPHIN TALE, MONEYBALL, REAL STEEL, IDES […]

Only one new opener (Oblivion) and only one decent holdover (42) mean it’s pretty slim pickings at the box office this weekend: less than $100 million for the top 12 films, down 11-22% from the same weekend in recent years. Opening at around 3,800 theaters Friday (a very high number), Oblivion from Universal should average a […]

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you were lucky enough to get onto the screen where selections could be made, hitting “Send” froze that page; […]

  THE GUARD – Worth A Ticket:  The Art of Performance, Crispy and Well-Done   I don’t know that there’s an actor in movies today more fun to watch than Brendan Gleeson.  Gleeson is probably best known for playing Mad-Eye Moody in several of the Harry Potter movies, but he’s been giving sensational performances since […]

> DreamWorks Animation can blame the weather for diminishing its PUSS IN BOOTS number–although there seemed to be little effect on the weekend’s other openings–but $34M is awfully low for a major animated release.  (And no one will be surprised to see the actual figure fall tomorrow by $400K or more, which is the margin […]

> Deadline is reporting a fairly spectacular Saturday for THE LORAX (Universal), considering the size of its Friday:  $32M, representing more than an 80% increase from the day before.  As a point of comparison, Horton Hears A Who! increased only 40% on its second day of release.  If this number holds, it puts Lorax in […]