> Worth A Ticket: A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season. It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]
Based on Friday’s and Saturday’s grosses, Weekend #45 of 2013 looks like $161 million for the top 12 films, not the record we had forecast but still 21% above the recent average for this weekend. Opening at 3,841 theaters Friday, Thor: The Dark World from Disney and Marvel grossed $31.6 million Friday and $31.7 million Saturday, now on […]
Based on Friday’s and Saturday’s grosses, weekend #20 of 2015 now looks like $178 million for the top 12 films Friday-Sunday, a little better than yesterday’s estimate ($172 million) and now solidly above the norm for this weekend. Opening at 3,473 theaters Friday, Pitch Perfect 2 from Universal is now on track for a $70.3 million opening three-day weekend (well […]
Based on Friday’s grosses, weekend #49 of 2014 looks like $69 million for the top 12 films Friday-Sunday, down 11% the norm for this weekend ($78 million) and down 20% from the same weekend last year. Opening at a mere 589 theaters, The Pyramid from 20th Century Fox is on track for a $1.0 million opening three-day […]
Based on Friday’s grosses, weekend #27 of 2014 looks like a truly awful $126 million for the top 12 films Friday-Sunday, 26% below the norm for this weekend and well below the $153.2 million weekend for the top 12 the last time July 4 fell on a Friday (in 2008 when Hancock opened with $62.6 […]
>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in significantly stronger than the weekend numbers posted yesterday (based on Friday actuals only). The box office volume for the top 12 films is now looking like an impressive $174 million for the weekend, up a very strong 29% […]
> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]
Airing on TCM March 24 and April 10: See It On Any Screen. The legacy of the late Elizabeth Taylor arises at least as much from her stature as one of the great, iconic Hollywood movie stars (and the prototypical tabloid goddess) as on the breadth of her acting skills. But she […]