CABLE HIGHLIGHTS:  AGENTS OF SHIELD and THE MICK gained 0.1 in final numbers, while IZOMBIE and 48 HOURS: NCIS lost the same.           Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  NatGeo’s much-hyped GENIUS debuted at 0.23, skewing very old with a 0.95 score in […]

> THE CHANGE UP – Watch It At Home:  Cliches with Dirty Words Are Still Cliches There have been plenty of R-rated comedies this summer–a bumper crop, really–but none more fully committed to raunch than THE CHANGE-UP.  The script by Jon Lucas and Scott Moore (they wrote The Hangover, but also Ghosts of Girlfriends Past) […]

        NETWORK FINALS:  BACHELOR IN PARADISE and the rerun of TO TELL THE TRUTH swapped 0.1 in final numbers, with BACHELOR up and TRUTH down.           Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  USA’s WWE telecast was again on top of Monday cable at 1.17/1.16/1.15, […]

> As football season approaches its regular-season climax, viewers just can’t get enough of it. ABC:  The network’s female-oriented line-up is meant to survive football, but ABC has been shooting itself in the foot in recent weeks.  Last night was the 2d time in 3 weeks that ONCE UPON A TIME was the only regular […]

  SARAH’S KEY – Watch It At Home:  Misses a Difficult Mark     There may be no cinematic minefield more dangerous for filmmakers than the Holocaust.  For films entering that difficult territory, the choices of tone, approach and imagery may not just be called into question, but outright offend audiences, and viewers have very […]

  The CMA AWARDS won the night, but sank badly. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2). […]

  Due to last week’s State of the Union address, the last-minute postponement the week before that, and other preemptions, most 9-11PM comparisons (and some in the 8PM hour) are to 3 or 4 weeks ago. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult […]

  JASON BOURNE (Universal) is performing in line with expectations.  Preliminary numbers at Deadline have its opening day at $22M (including $4.3M from Thursday night), down just 10% from the $24.7M start (with no Thursday screenings) for 2007’s Bourne Ultimatum, the last Matt Damon/Paul Greenglass title in the franchise.  Great word of mouth gave Ultimatum […]