NETWORK FINALS:  There were no changes from the preliminary Friday ratings.         Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  ESPN’s NBA doubleheader was at 0.75 (Lakers vs. Dallas)/0.36 (New Orleans vs. Knicks).  A&E’s LIVE PD was steady at 0.61, and the pre-show hour was down […]

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2).

The fourth weekend of 2013 should total just under $100 million for the top 12 films, a bit off the normal pace for this weekend but close to last year’s tally.  Three new films will open this weekend, none of which have any hope of making an impact. Opening in about 3,000 theaters Friday, Hansel […]

> In one of the least surprising developments of the young season, CBS has given a full season back-order to 2 BROKE GIRLS. Considering that the show did a 4.4 this past week, and NBC has given back orders to UP ALL NIGHT (2.1) and WHITNEY (2.5), it would be an understatement to say that […]

  Although the WINTER OLYMPICS towered over everything else, several of the other networks weren’t suffering. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over […]

> The past week (seven days ending Sunday) came in down 12% versus last year’s comparable week (the second significant decline in a row).  Year-to-date box office is down 8% versus last year.    The Past Week: Total Box Office Volume All films in wide release playing between June 20 and June 26 grossed a […]

> Apart from the usual hosannas to THE HELP’s remarkable staying power, there’s not much to be said about this weekend’s wide releases.  APOLLO 18 and SHARK NIGHT are both flops that will be hard-pressed to gross enough to pay for their marketing.  THE DEBT is a bit more of a question mark, because of […]

SAFE HOUSE:  Watch It At Home – You’ve Seen It     SAFE HOUSE feels like a remake, even though technically it’s not.  It’s a little bit Training Day, a little Bourne, a little Man On Fire (and everything else Tony Scott has ever done), with almost nothing added of its own, an exercise in […]