THE FIX doesn’t look like one. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2). Ratings analysis and […]
>Twilight Saga: Breaking Dawn Part 1 debuts on the international box office chart with a very solid $400+ million worldwide mark. The latest Twilight has an overseas total to date of $144 million already with an expected domestic final of $292 million. Adventures of Tintin is now up to almost $190 million overseas, while Real […]
A bad night for BIG BROTHER: CELEBRITY EDITION. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2). Ratings […]
NETWORK FINALS: There were no changes from the preliminary Sunday numbers. Broadcast Official Nationals Program Ratings Chart CABLE HIGHLIGHTS: A fiery GAME OF THRONES towered over the rest of Sunday cable for HBO, remarkably up 0.22 to 3.92. (And considering how this week’s episode ended, […]
> SMASHWatch is grinning this morning, but should it be? NBC: Airing against repeats on both of the other networks, SMASH was up a big 0.4 to 2.7, a healthy number for any 10PM drama these days. So… yay? Maybe, but the show itself continues to get markedly worse, moving with near-rocket speed from “potential […]
>American Idol is stabilizing in the high-5 rating area on Thursday and a 6 rating on Wednesday, while Grey’s Anatomy had a good night on ABC and The Office hits a new low on NBC (though still the network’s highest-rated comedy at a 2.5). Nightly Adult 18-49 Rating […]
CAPTAIN AMERICA: THE WINTER SOLDIER (Disney) declined about 10% to as much as $34M on Saturday, according to preliminary numbers at Deadline, which should give it a $95M opening weekend, the best April opening ever. By way of comparison, the previous April record-holder Fast Five dropped 13% on its second day (for a $86.2M […]
America’s summer love for R-rated comedies and YA action-adventure sequels isn’t quite over yet. WE’RE THE MILLERS (Warners) got off to a creditable start with $6.8M on Wednesday (including $1.7M from Tuesday night screenings that began at 8PM). That’s not far off the pace of This Is The End, which had a $7.8M Wednesday […]