Author Archive
 

 

SHOWBUZZDAILY FILM REVIEW: “Blue Jasmine”

  BLUE JASMINE:  Worth A Ticket – Cate Blanchett Is Dazzling in Woody Allen’s Latest Woody Allen has made so many movies at such regular intervals, and they’re so thematically linked, that it’s tem...
by Mitch Salem
 

 
 

THE SKED: Sun/Mon Cable Ratings Scorecard – 7/21-22

  SUNDAY HBO:  It’s still TRUE BLOOD season, and even though the show slipped 0.1 to 2.4 among 18-49s, holding more or less even in total viewers at 4.5M, that was by far the biggest cable rating of the night.  In ...
by Mitch Salem
 

 

 

THE SKED’S TUESDAY NETWORK SCORECARD – 7/23/13

  America’s Got Talent continued to dominate Tuesdays, doubling the next highest rating on the night. NBC:  AMERICA’S GOT TALENT climbed an impressive 0.3 from last week to 2.8, and in the 10PM hour it more th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s State of the Indies

  Now that we’ve looked through all the major and mini-major Hollywood studios (Disney, Warner Bros, Paramount, Sony, 20th Century Fox, Universal and Lionsgate/Summit) and examined their summers, today we’ll wr...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 7/22/13

  Despite a bit of last-minute disruption from the new Royal Baby, the night still belonged to Under the Dome. CBS:  UNDER THE DOME ticked up slightly.  Dome‘s adult 18-49 rating episode track so far: 3.3…2.9...
by Mitch Salem
 

 
 

THE SKED: The “Bunheads” Dance Is Done

  It took ABCFamily long enough to pull the trigger–BUNHEADS aired its last episode in February–but the bullet has finally been fired into its airy, repartee-fueled head, as the network officially announced tha...
by Mitch Salem
 

 

 

SHOWBUZZDAILY’s State of the Studio: Lionsgate/Summit

  Last week we ran through all the major Hollywood studios–Disney, Warner Bros, Paramount, Sony, 20th Century Fox and Universal–to see how their summers have been going.  Today we’ll take a look at Lions...
by Mitch Salem
 

 
 

THE SKED’S SUNDAY NETWORK SCORECARD – 7/21/19

Sadly, if not surprisingly, the most notable development on TV last night was the quick dissipation of any promise from last week’s premiere that The Newsroom had learned from its Season 1 mistakes, as its insufferable s...
by Mitch Salem
 

 

 

THE SKED PREMIERE REVIEWS: “Axe Cop” & “High School USA!”

  Among the many, many places where cable has been eating the lunch of the broadcast networks is in the anarchic, shoestring-budgeted world of adult late-night comedy, much of it animated, where Adult Swim has been routine...
by Mitch Salem
 

 
 

POST #4000

  This here site started a little over 2 years ago, in March 2011, a time that already seems distantly back in the era before Netflix was being nominated for Emmys and studios weren’t yet dueling over the sheer numbe...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOX OFFICE – 7/21/13

  OPENINGS:  THE CONJURING (Warners) behaved like a horror movie on Saturday, falling 18% despite the great reviews and exit polls, but that didn’t stand in the way of its estimated huge $41.5M weekend.  That made ...
by Mitch Salem
 

 
 

THE SKED NETFLIX REVIEW: “Orange Is the New Black” (full season)

  ORANGE IS THE NEW BLACK may be the most tolerant show on television (or “television,” or whatever it is we’re calling distributed entertainment content in this new Netflixed world).  All the characters...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOX OFFICE – 7/19/13

  OPENINGS:  THE CONJURING (Warners) is off to a great start with a $17M opening day (including $3.3M from Thursday evening), but its real test comes today.  Horror movies tend to be very frontloaded and plunge on their ...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “The Conjuring” Materializes a Huge Weekend

  Based on preliminary numbers at Deadline, THE CONJURING (Warners) might be headed for the biggest horror opening of the year.  It reportedly pulled in $16.5M on Thursday night/Friday, neck-and-neck with the $16.8M that...
by Mitch Salem