Author Archive
 

 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 11/23/11

> The night before Thanksgiving has an odd balance:  viewership is down, but advertiser interest is up (anyone who watched primetime last night was buried under retailer promos for Black Friday sales)–hence, original...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Captain America: The First Avenger”

    CAPTAIN AMERICA:  THE FIRST AVENGER – Worth A Ticket:  Marvel Goes Back To the Future   There’s a certain irony in the fact that, in this summer of Super 8 and its Spielberg rapture, the most succes...
by Mitch Salem
 

 

 

THE SKED’s Sat-Mon Cable Ratings Scorecard: 6/1-3/13

  SATURDAY BBCAMERICA:  The ORPHAN BLACK season finale didn’t push it anywhere near the ratings big leagues, but at least it rounded up to a 0.2 in 18-49s, and it skewed fairly young, with that demo making up more t...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “2 Broke Girls”

  Even with the nonstop double (sometimes barely single) entendres, 2 BROKE GIRLS is as basic and old-fashioned as a sitcom can be–it’s sort of a starter kit for CBS comedy.  Take 2 mismatched diner co-workers...
by Mitch Salem
 

 

 

THE SKED: “Up All Night,” “Whitney” and “The Playboy Club” Get Some News

> In a move that shows where NBC stands right now, the network has given back order pick-ups to UP ALL NIGHT (which had a 2.1 rating in 18-49s last week) and WHITNEY (with a 2.5).  It’s not clear whether these are th...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 10/20/12

  Holdovers saved the boxoffice this weekend. OPENINGS:  Although the studio flew to announce that a 5th installment will be opening a year from now, the weak start for PARANORMAL ACTIVITY 4 (Paramount) is a signpost to t...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “Mr. Selfridge”

  MR. SELFRIDGE:  Sunday 9PM on PBS To get the obvious over with quickly, MR. SELFRIDGE, PBS’s attempt to find a partner for its blockbuster hit Downton Abbey, isn’t in that show’s league.  Instead it&#...
by Mitch Salem
 

 
 

THE SKED Midseason Finale Review: “Revolution”

  With the addition of Rockne S. O’Bannon to the REVOLUTION writing/producing team as co-showrunner, alongside series creator Eric Kripke, the first half (actually 9/22nds) of its second season has been more tightly ...
by Mitch Salem
 

 

 

THE SKED: The Return of COMMUNITY! (And Other NBC Stuff)

> If you hear bells pealing and catch sight of Human Beings dancing (well, not so much dancing as meta-dancing that references obscure pop culture artifacts from 20 years ago), it’s because NBC has finally freed COMMUNITY...
by Mitch Salem
 

 
 

SHOWBUZZDAILY BOXOFFICE: Early Thursday Numbers for Spidey and More

  Deadline has preliminary boxoffice figures for Thursday, and reports that THE AMAZING SPIDER-MAN (Sony) was at $16.3M for the day, down 30% from July 4th.  If that number holds, it would be slightly better than the 34%...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Virtual Sundance Reviews: “CODA” & “Censor”

  A year ago, the idea of a “virtual film festival” would have seemed extremely far-fetched, but it’s become a regular practice in pandemic times.  The latest festival to take this path is Sundance, whic...
by Mitch Salem
 

 
 
 
 
 
 
 

THE SHOWBUZZDAILY REVIEW: “Gone”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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SHOWBUZZDAILY FRIDAY NETWORK SCORECARD -7.13.2018

  Another weak arrival. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-4...
by Mitch Salem
 

 
 

THE SKED: Lindsay Lohan on SNL

> We’re not on the tabloid beat at SHOWBUZZDAILY, but when Lindsay Lohan put herself in front of the cameras tonight on SATURDAY NIGHT LIVE, she made herself fair game.  It would be heartwarming to be able to report ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Miss Americana,” “Ironbark” & “Scare Me”

  MISS AMERICANA (Netflix – January 31):  There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and th...
by Mitch Salem