Author Archive
 

 

SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 6/15/12

  Friday’s boxoffice was like The Good, The Bad & The Ugly–except without the “good.” OPENINGS:  All the stunt casting in the world couldn’t make anyone want to see ROCK OF AGES (Warners)...
by Mitch Salem
 

 
 

EARLY WEEKEND BOX OFFICE: No Parades For This Holiday

  Although ticket sales were up from July 4th, preliminary numbers at Deadline indicate that they remained very soft on Saturday, and in general, current releases will be at the low end of their weekend expectations.  Tha...
by Mitch Salem
 

 

 

THE SKED: ABC Fall Schedule and Instant Analysis

Lots of moves from ABC, some–but not all–of which we anticipated.   Let’s take a look night-by-night: MONDAY:  The aging DANCING WITH THE STARS isn’t ideal, but as we anticipated, it’s the be...
by Mitch Salem
 

 
 

The Sked: Tuesday Ratings 10.13.2015

  CHICAGO FIRE arrived to show LIMITLESS its limits. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Manhattan”

  Audiences of TV drama have the luxury these days of being spoiled, and that raises the question:  what separates a great series from one that’s merely very good?  WGN America’s MANHATTAN had an original, in...
by Mitch Salem
 

 
 

THE SKED EARLY SUNDAY CABLE RATINGS – 6/15/12

  BREAKING BAD kicked off its 5th season in fine style for AMC last night, recording the show’s most-watched episode (2.9M viewers, up 14% from the Season 4 premiere), and what should be a 1.4 in the 18-49 demo, a wh...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: Thor’s Mighty Hammer

  It was foretold by the gods of Marvel that THOR: THE DARK WORLD (Disney) would rule this weekend, and preliminary numbers at Deadline confirm that it will, with a $31M Friday (including $7.1M from Thursday night).  That...
by Mitch Salem
 

 
 

THE SKED 2013 UPFRONTS: CBS Picks Up “Reckless”

  The latest CBS drama pick-up for 2013-14 comes a bit out of left field:  RECKLESS, a legal soap about an illicit romance between a defense attorney (Cam Gigandet) and a prosecutor (Anna Wood) against the background of a...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.27.2022

  OPENINGS:  STRANGE WORLD (Disney) couldn’t muster any significant family audience over the Thanksgiving holiday, with $18.6M for the full 5 days and $11.9M for the 3-day weekend.  Nor did it have appeal overseas,...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Kevin Can Wait”

  KEVIN CAN WAIT:  Monday 8:30PM on CBS (thru 10/17, then 8PM) – Change the Channel Sometimes when a TV star returns to the tube, it’s to try something excitingly different.  Think of Rob Lowe’s second ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Lone Ranger”

  THE LONE RANGER:  Not Even For Free – The Silver Bullet Is Self-Inflicted Disney’s reluctance to produce THE LONE RANGER is well-documented; the studio even shut down the production shortly before shooting w...
by Mitch Salem
 

 
 

THE SKED: Updated Super Bowl and “Elementary” Ratings

  The time-zone corrected ratings are in for SUPER BOWL XLVII, and thanks to the 35-minute blackout (although excluded from the final game number) making it technically the longest Super Bowl ever, the audience ended up as...
by Mitch Salem
 

 

 

The Sked: PROMO WATCH — NBC’s Super Bowl Sunday

>Before we take a look at NBC’s promo activity in the extravaganza that is the Super Bowl, let’s review our forecast of the game itself.  We aim for precision in our predictions at ShowBuzzDaily, and while both...
by Mitch Salem
 

 
 

UPDATED: THE SKED’S THURSDAY NETWORK SCORECARD – 5/16/13

  Last night’s festival of season/series finales was also a riot of off-hour running times, and there will be more than the usual number of afternoon adjustments once final numbers are on.  The analysis below featur...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty a...
by Mitch Salem