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SHOWBUZZDAILY’s Top 150 Wednesday Cable Originals & Network Finals: 5.8.2019

        NETWORK FINALS:  SURVIVOR gained 0.1 in final numbers.           Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  TNT’s NBA PLAYOFF games ...
by Mitch Salem
 

 
 

THE BIJOU RETROSPECTIVE: “Harry Potter and the Order Of the Phoenix”

> The magically moving portraits are pulled off the walls of Hogwarts in 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX, and the colors have started draining from the Potter universe.  Gone are the lush visuals of ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 6/7/15

  OPENINGS:  SPY (20th) came in at the low end of expectations with $30M–a number that may very well come down tomorrow when actuals are announced, since it assumes an aggressively strong Sunday hold.  Even at $30M...
by Mitch Salem
 

 
 

THE SKED: Preliminary Cable Ratings for “Game Of Thrones” and “Falling Skies”

  Remember all those people who said they’d never watch GAME OF THRONES or for that matter HBO again after the Red Wedding?  Well, they didn’t go anywhere.  Last night’s Season 3 finale had a viewership...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: THE SKED PILOT REVIEW – CBS’s “Mom”

  Read All Our Fall Pilot Reports here. MOM:  Monday 9:30PM on CBS starting Sept. 23 – Worth A Look The Chuck Lorre sitcom machine is a major reason that CBS is the most successful of the Big Four networks.  The Bi...
by Mitch Salem
 

 
 

EARLY WEEKEND BOX OFFICE: “Gone Girl” and “Annabelle” Race To the Wire

  Strong Saturdays for both GONE GIRL (20th) and ANNABELLE (New Line/Warners) suggest that no matter who claims victory on Sunday morning, we may not really know who’s won the weekend until final numbers are availabl...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “White Collar”

  WHITE COLLAR:  Tuesday 9PM on USA   WHERE WE WERE:  Watching Neal Caffrey (Matt Bomer) and his closest crony Mozzie (Willie Garson) fly away.  Neal is a con man, art thief and forger let out of jail (with an ankl...
by Mitch Salem
 

 
 

Wednesday Box Office: “Hobbit” Opens Big, But…

  THE HOBBIT:  THE BATTLE OF THE FIVE ARMIES (New Line/MGM/Warners) opened on Wednesday to $24.5M, which is both the 12th-highest opening Wednesday ever (and 3rd-highest in December) and the lowest opening day for a Peter...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: The Annual Labor Day Weekend Yawn

  Labor Day Weekend is the only holiday that doesn’t make people gravitate to the movies, and this year will be no exception.  Based on preliminary numbers at Deadline, the 5-week old GUARDIANS OF THE GALAXY (Marvel...
by Mitch Salem
 

 
 

OSCARLAND: Why and Why Not? – Best Supporting Actress

  As we did with Best Supporting Actor and will do the rest of this week with the other major categories, this is a final look at the rationales behind and against each nominee’s likelihood of winning.  We’re ...
by Mitch Salem
 

 

 

THE SKED Review: “Saturday Night Live” with Jimmy Fallon & Justin Timberlake

  The hits just kept coming on tonight’s SATURDAY NIGHT LIVE, which packed a whole fall’s worth of glitz into the show’s final 90 minutes of 2013.  Technically, Jimmy Fallon was the host and Justin Timbe...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Under the Dome”

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a re...
by Mitch Salem
 

 

 

NIELSENWAR Network Midterm Grades: ABC

  The broadcast networks aren’t what they used to be, and likely will never be again.  They’re collectively on a train that’s moving in the wrong direction, because the lion’s share of their revenu...
by Mitch Salem
 

 
 

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 

 

 

YOUR HIGHNESS: Ye Olde Disaster

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a h...
by Mitch Salem