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THE SKED Season Premiere Review: “Arrow”

  ARROW:  Wednesday 8PM on CW ARROW didn’t lose a step in its second-season return, with little sign of the season-premiere-itis often afflicting serialized shows that have to dig themselves out of the plot twists ...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Happy Endings”

  HAPPY ENDINGS:  Tuesday 9PM on ABC WHERE WE WERE:  Chicago, where six of the oddest balls on television hang out.  When last seen, Alex (Elisha Cuthbert) and Dave (Zachary Knighton), who started the whole show off whe...
by Mitch Salem
 
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Reviews

THE SKED REVIEW: “Saturday Night Live” with Jim Parsons

  SATURDAY NIGHT LIVE was pushed off the air for a solid month by the Winter Olympics, and then by 15 more minutes in the east tonight by an NHL game in primetime–not the kind of thing that pleases Generalissimo Lorn...
by Mitch Salem
 
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Midseason Premiere

SHOWBUZZDAILY Season Premiere Review: “Fear the Walking Dead”

  FEAR THE WALKING DEAD:  Sunday 9PM on AMC AMC’s eccentric decision to keep its Walking Dead assembly line going with a not-quite-prequel has become even more so in Season 2, which places the Season 1 survivors on ...
by Mitch Salem
 
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Articles

THE SKED 2013 UPFRONTS: ABC Midseason Trailer – “Mind Games”

  Kyle Killen’s Lone Star and Awake were two of the most ambitious network series of recent years–and two of the most resounding flops.  He has to be hoping that his third time (and third network) is the charm...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 7.23.2017

  OPENINGS:  The Saturday hold for DUNKIRK (Warners) wasn’t as strong as those for other Christopher Nolan non-sequels, down 11% where Inception stayed steady, and Interstellar actually rose 8%, pushing the weekend ...
by Mitch Salem
 
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Articles

FRIDAY APR 15 NUMBERS: A Promising Weekends Turns Ho-Hum

> This was supposed to be the weekend that the 2011 slump started to turn around.  While $37.5 million and $19 million openings are usually nothing to sneeze at, the box office needed better performances to show incre...
by Mitch Salem
 
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Articles

THE SKED: Super Bowl Ads

  Hollywood didn’t have a particularly strong presence in this year’s Super Bowl (won, for those living in a very well insulated cave, by Baltimore, which held off San Francisco 34-31), despite the fact that th...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Review: “Saturday Night Live” with Dakota Johnson

  50 Shades of Grey has only been playing in theatres for 2 weeks, but it’s plunged so quickly from its opening weekend that Dakota Johnson already seems a bit like the answer to a pop culture trivia question.  Neve...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Pilot + 1 Review: “Red Band Society”

  RED BAND SOCIETY:  Wednesday 9PM on FOX Previously… on RED BAND SOCIETY:  In a Los Angeles hospital, a half-dozen adolescents struggle with their health and with the general problems of being teenagers.  Kara (Z...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “The Vow”





Our Review / 5 - Terrible
by Mitch Salem
1
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Reviews

SHOWBUZZDAILY Season Finale Review: “Run”

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assu...
by Mitch Salem
 
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Articles

EARLY FRIDAY BOX OFFICE: “Ouija” Frightening Enough For the Win

  With Halloween, a traditionally slow moviegoing day, falling on Friday next week, this is the de facto Halloween movie weekend, which left a clear path for the low-budget OUIJA (Universal).  According to preliminary num...
by Mitch Salem
 
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Articles

THE SKED: Thursday Ratings – Network Scorecard – 10./27/11

> November sweeps began with a baseball bat in its hand, and for one network, that bat was the one wielded by Robert DeNiro in The Untouchables. NBC:  A disaster, although its full extent won’t be known until the Wor...
by Mitch Salem
 
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Articles

A SHOWBUZZDAILY Guide to Movie Profitability (Or Not) – Part I: Budget

  Let’s start with something simple:  anyone who claims to have reliable knowledge about the profitability of a specific film, without having detailed access to its production budgets, financing documents and key ta...
by Mitch Salem
 
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