WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is still +3% above last year and now +4% above the average for this point the past four years ($7.687 billion). Over the same period, Hollywood films have grossed $20.3 billion worldwide when we […]
Based on Friday’s grosses, Weekend #47 of 2013 looks like $211 million for the top 12 films — not quite up to the standard of the weekend before Thanksgiving but not an embarrassment. Opening at 4,163 theaters Friday, The Hunger Games: Catching Fire from Lionsgate/Summit grossed $68.9 million Friday and is on track for a $150.4 million […]
> The Hollywood Reporter has some very office boxoffice numbers. These are based on matinee business only, so they can be misleading as to what will happen over the course of Friday, let along the weekend. But for now, the big news is that COURAGEOUS, a Christian-themed movie produced by Sherwood Baptist Church in Georgia […]
There are two neck-and-neck races at the top of the weekend box office, but neither is especially thrilling. The #1-2 slots will be fought between holdovers. According to preliminary numbers at Deadline, THE BOSS BABY (DreamWorks Animation/20th) had a $6.8M Friday, and BEAUTY & THE BEAST (Disney) earned $6.6M. That should put both of […]
Based on Friday’s and Saturday’s grosses, weekend #29 of 2014 now looks like $135 million for the top 12 films Friday-Sunday, -27% below the norm for this weekend and still below our forecast ($147 million). This is the fifth really sub-par weekend in a row. Opening at 2,806 theaters, The Purge: Anarchy from Universal grossed $13.0 […]
>Super 8 now looks like a $37 million opening weekend based on Friday and Saturday results. The weekend top 12 should be down 6% from 2010. The ShowbuzzDaily Domestic Final estimates now show that Super 8 should finish its domestic run with $109 million. X-Men: First Class has been downgraded a touch to $163 […]
OPENINGS: Here’s a telling stat for TOMORROWLAND (Disney): although the movie was aimed squarely at a family audience, only 30% of the people who showed up were in that demo. Instead, 60% of the audience was over 25, meaning the older George Clooney fans. That suggests that Disney marketing wasn’t able to get the […]
In the bygone movie palace days Quentin Tarantino worships, exclusive “roadshow” engagements of major Hollywood releases sometimes ran for months before the films spread nationwide. The super-hyped 70mm release of his THE HATEFUL EIGHT (Weinstein) was originally scheduled for a 2-week run, but that was swiftly cut down by half, and then to 6 […]