THE MUPPETS:  Watch It At Home – Nonstop Cuteness   When it was announced that Disney’s new movie of THE MUPPETS (the Mouse House bought the entire franchise from Jim Henson’s company some years ago) was going to be written by Jason Segel and Nicholas Stoller, previously behind Forgetting Sarah Marshall (and Stoller […]

>Those interested in the disconnect between old-line film critics and audiences need look no farther than “In Defense of the Slow and the Boring,” a column in today’s NY Times.  In it, chief Times critics Manohla Dargis and A. O. Scott each write about the worth of films some find unduly slow-paced, like The Tree […]

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]

 Not At Any Price:  “Art” More Than Art   The name Monte Hellman doesn’t mean much to the vast majority of moviegoers, but Hellman is among the cultiest of American cult directors.  He came up the Roger Corman path in the 1960s with Jack Nicholson and Dennis Hopper (his films from that era include The […]

REAL STEEL:  Watch It At Home – The Word is “Clunky”   REAL STEEL wants to be loved so much, it practically walks the audience members to their cars and offers to give them all a lift home.  And yet, the packed house I saw it with could only offer the movie a smattering of […]

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of reliable enjoyment that they get from a can of Coke or a pair of Nikes.  And […]

> The magically moving portraits are pulled off the walls of Hogwarts in 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX, and the colors have started draining from the Potter universe.  Gone are the lush visuals of Prisoner of Azkaban and Goblet of Fire; the palette of Slawomir Idziak’s photography (his films include Kieslowski’s […]

> Tonight at 43 real Imax theatres (the ones with the huge squarish screens), Warner Bros debuted an extended trailer for next summer’s THE DARK KNIGHT RISES shot in the full Imax format, consisting of the opening sequence and an extra minute or so of quick clips from the rest of the movie.  Apart from […]