> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog’s documentary “Into the Abyss,” The title isn’t kidding: this is the story of a meaninglessly brutal triple murder committed […]

  Worth a ticket.   It’s a little mysterious that Michael Connelly’s trim, twisty crime novels have so rarely hit the screen. Perhaps it was the tepid reception received by Blood Work in 2002, unfortunately one of Clint Eastwood’s more dismal films of the last decade. Or just the usual horror stories of movie industry […]

  ONE DAY – Watch It At Home:  An Off-Day   What went wrong with ONE DAY?  It’s been clear for a while that its studio, Focus Features, didn’t have great confidence in the film:  first  they postponed the opening from its original midsummer date to late August (which has turned out to be an […]

  A DANGEROUS METHOD:  Watch It At Home – A Visit to Dr. Cronenberg’s Clinic   Throughout his career, David Cronenberg has been fascinated by twin compulsions:  the aberrant and the repressive.  The former was at the forefront of what are still his most celebrated films a quarter-century later, squishy biological horror movies like Videodrome […]

> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result.  But that diagnosis doesn’t allow for this:  a man (Jake Gyllenhaal) wakes up and finds himself on a train, where his reflection in the mirror doesn’t look like himself, and the woman […]

> Watch It At Home:  Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be.  The premise is certainly arresting:  Shawn Ku’s first film (written with Michael Armbruster) tells the story of the aftermath of a school massacre, from the viewpoint of the parents of the teen who shot down […]

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]

  WAR HORSE:  Watch It At Home –  Spielberg’s Beautiful Muzak   Earlier this year, audiences were presented with Super 8, J. J. Abrams’s pastiche of Steven Spielberg’s classic sci-fi adventures from the 1970s and 80s (Spielberg was a producer on the project).  Now with WAR HORSE, we have Spielberg’s own pastiche:  of John Ford, […]