> Watch It At Home:  Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be.  The premise is certainly arresting:  Shawn Ku’s first film (written with Michael Armbruster) tells the story of the aftermath of a school massacre, from the viewpoint of the parents of the teen who shot down […]

  WAR HORSE:  Watch It At Home –  Spielberg’s Beautiful Muzak   Earlier this year, audiences were presented with Super 8, J. J. Abrams’s pastiche of Steven Spielberg’s classic sci-fi adventures from the 1970s and 80s (Spielberg was a producer on the project).  Now with WAR HORSE, we have Spielberg’s own pastiche:  of John Ford, […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]

  THE BIG YEAR:  Watch It At Home – Very Small Pleasures   THE BIG YEAR is an amiable, good-natured comedy that’s so insubstantial it seems to fly out of your memory even as you’re watching it.  If it had been a low-budgeted indie that turned up at a film festival, it might have felt […]

  THE GIRL WITH THE DRAGON TATTOO:  Worth A Ticket – David Fincher Meets Lisbeth Salander   The most remarkable thing about David Fincher’s version of THE GIRL WITH THE DRAGON TATTOO (written for the English-language screen by Steven Zaillian) is that while remaining, for the most part, scrupulously faithful to the best-selling novel by […]

  THE SITTER:  Not At Any Price – Adventures In Bad Moviemaking   Jonah Hill is awfully lucky to have made Moneyball this year.  In that film, fueled by a brilliant Aaron Sorkin/Steven Zaillain script, he gave a marvelous performance as half of the year’s most unlikely comedy team with Brad Pitt, but since then […]

  Showbuzzdaily’s Top 10 Films of 2012 can be found here, and the Worst 10 are here.  But there were other movies this year worth remembering: HONORABLE MENTIONS CLOUD ATLAS (Warners – October – written and directed by Andy Wachowski, Lana Wachowski and Tom Tykwer): An impossibly ambitious epic that was thrilling when it worked. […]