THE HUNGER GAMES: MOCKINGJAY PART I:  Worth A Ticket – Half a Good Movie Is Still Half a Movie As big-screen and small-screen entertainment experiences have begun to merge, there’s been an increase in serialized franchise storytelling–super-expensive mega-movies turned into regularly scheduled series.  Sequels, of course, have always been with us, but through the […]

  James Ponsoldt’s SMASHED (not to be confused with NBC’s Smash), which premiered in the Dramatic Competition at Sundance, is a new spin on a fairly old story.  The concept goes back (at least) to 1962’s Days of Wine and Roses:  a couple (Mary Elizabeth Winstead and Aaron Paul), very much in love with both […]

      SILENT HOUSE:  Watch It At Home – A Curiosity   SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, […]

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the calendar, not a single one of the Top 10 below opened before July, and only 3 before […]

  PARENTAL GUIDANCE – Not At Any Price – Stupefying “Family” Sitcom Too Little For the Big Screen This is said with all due respect to a pair of performers who have entertained millions for decades, but really, don’t celebrities ever look in the mirror?  If not, don’t they have people to look in the […]

  EDGE OF TOMORROW:  Watch It At Home – Needed To Hit Reset One More Time There’s a lot of inventiveness in EDGE OF TOMORROW, which combines the premise of Groundhog Day with a War of the Worlds-like plot–certainly more than the usual for a mega-budgeted Hollywood summer action movie.  That keeps it compelling for […]

  THE GREATEST BEER RUN EVER (Apple – September 30):  Peter Farrelly’s Green Book was one of the clearest beneficiaries of winning Toronto’s People Choice Award, vaulting from being entirely under the awards radar to a (somewhat divisive) Oscar for Best Picture a few months later.  No doubt the premiere of his follow-up The Greatest […]

  FUN SIZE:  Not For Any Price – As Halloween Movies Go, John Carpenter’s Are Funnier FUN SIZE marks the feature directing debut of Josh Schwartz, but he’s hardly a neophyte, being the muscle behind (and for the most part a writer/creator of) The O.C., Gossip Girl, Chuck and Hart of Dixie.  He certainly knows […]