> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which will hit theatres in time for a serious awards season push in late November.  Sideways and Payne’s earlier Election are two […]

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Yellowstone‘s Jefferson White) park their pick-up on college professor Sandra Guidry’s (Newton) land for their convenience, they’re messing with the wrong person.  Sandra’s […]

  THE WORLD TO COME (Bleecker Street – March 2):  Although the story is set in 1856, this is 2021, so it’s not hard to see where Mona Fastvold’s The World To Come is heading.  Ron Hansen and Jim Shepard’s script begins in the dead of winter, in the wilderness that was upstate New York […]

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in 1960s Oklahoma (the film is splendidly shot by Andrew Reed in a black and white that recalls The Last Picture Show), centering on […]

  Less intimate but perhaps even more irresistible than his micro-indie smash Once, John Carney’s follow-up CAN A SONG SAVE YOUR LIFE? plays a similar tune with broader orchestrations.  The city this time is New York rather than Dublin, and the focus is again on two people enraptured by the possibilities of music. Greta (Keira Knightley) has come […]

  SNOWDEN (Open Road – Sept 16):  Oliver Stone’s return to politically-charged biography is subdued by the standards of his Nixon or W.  It’s a hagiography that follows the character arc of his Born of the Fourth of July (true believer finds his ideals crushed by political reality and transforms into a revolutionary agent against […]

  Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common.  Last year we had the British biographies The Theory of Everything and The Imitation Game, which might have canceled each other out in the end.  This year brings two excellent stories about journalism, Truth and now […]