STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a story told in ten 10-minute episodes, all of them written by the novelist and screenwriter Nick Hornby and directed […]

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s going to be a saga of social injustice, dealing as it does with a young black New York honor student (Steve Harmon, […]

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent memory (even worse than Francis Coppola’s still-unreleased Twixt, seen at last year’s Toronto)—one had to be a major DePalmite to even find […]

  ROMA (Netflix – Dec. 14):  Alfonso Cuaron is one of the master filmmakers of this era, and Roma confirms that all over again.  It’s a deceptively simple memory piece, a semi-autobiographical story set in the Mexico City of his youth in 1970-71, with most of the action revolving around an upper-middle-class family with three […]

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (although at least there he got to be funny).  For an actor who only became known to a wide audience 3 years ago […]

  It would be easy enough to fill a Worst 10 list with low-budget “found footage” horror movies, and sadly not that much more difficult to fill one with earnest, badly-executed indies, but where’s the fun in that?  No, if we’re going to throw stones, let’s throw them through some expensive windows. WORST BIG BUDGET […]

  WORTH (no distrib):  A dry but fascinating angle on the story of 9/11, Worth centers on the real-life Ken Feinberg (Michael Keaton), an attorney with a very specific expertise:  he and his firm calculated and negotiated compensation payouts to victims and survivors of disasters, in order to settle suits brought for their losses.  In […]

  THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23):  Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive this new adequate but uninspired remake of the remake.  Despite a script co-credited to True Detective‘s Nik Pizzolatto (with Richard Wenk), and a promising match-up […]