> 50/50: Worth A Ticket – A Genuinely Feel-Good Cancer Comedy With The Big C renewed for its third season on Showtime, the concept of a comedy getting laughs from the experiences of a cancer patient is no longer especially shocking, which means that the new 50/50 has to be judged on its comedy-drama merits, […]
> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short). This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has its own personality and place in the movie calendar. TIFF has become hugely popular and important, especially in the last decade, […]
Sadly, the phrase “BEING CHARLIE is Rob Reiner’s best film in years” doesn’t mean nearly as much as it once would have. After a decade where he could do no wrong, he has, incredibly enough, been in the Hollywood wilderness for twenty years now, churning out flops like The Story of Us, Alex and […]
The Toronto Film Festival is on its way, and SHOWBUZZDAILY will be there. The Festival, which runs Sept 6-16, today announced the bulk of its highest-profile titles, those that will screen in the Gala and Special Presentation categories. Here, at a first glance, are some of the most promising: GALAS ARGO: Against the […]
The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings. Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members. The news that she was co-writing (with co-star June Diane Raphael) her own comedy vehicle must have seemed promising. Yet at some point […]
For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here. What kind of filmmaker does Mona Fastvold want to be? It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time. THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]
> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improvised by the actors), and her new film YOUR SISTER’S SISTER, which premiered at the Toronto Film Festival last night, confirms that she’s […]
I AM MOTHER (no distrib): Grant Sputore’s impressively controlled first feature brings us back to the post-apocalypse. In Michael Lloyd Green’s script, it appears as though the only surviving remnant of humanity is an unnamed girl (Clara Rugaard as a teen) raised from a fetus by a maternal robot (voiced by Rose Byrne). Mother […]