DREDD, which kicked off the merrily disreputable Midnight Madness program at the Toronto Film Festival last night, isn’t much, but no one can say the director Pete Travis wasted his 3D budget. Things are constantly hovering, fluttering or–often–splattering in the foreground of the frame, and the images do a better job of suggesting visual depth […]

  HAL & HARPER (no network):  Cooper Raiff launched his career as an actor-writer-director with Shithouse, which won the Narrative Grand Jury Award at SXSW.  He parlayed that into Cha Cha Real Smooth, which was less well-regarded but nevertheless bought by Apple for $15M out of Sundance.  Like many indie filmmakers, he’s now shifted into television, […]

  Note:  this will be our final installment of Toronto reviews, although the festival runs on until Sunday. It’s been a good if not classic festival, with a trio of legitimately great presentations in La La Land, Jackie and Moonlight, as well as the enormously fun if not particularly artistic Sing, and other strong titles […]

  Lorene Scafaria’s THE MEDDLER spins its way past so many potential crash sites that it’s practically an example of cinematic stunt-driving.  The premise itself is something out of a thousand terrible sitcoms:  the widowed mom of the title, Marnie (Susan Sarandon), is so desperate to micro-manage her daughter’s life that she moves from New […]

  A week at the Toronto Film Festival added up to 24 screenings–a decent pace, but not an outstanding one.  Blame some vagaries of the festival’s scheduling, and a baseline decision that Midnight Madness was too much midnight and maybe even too much madness.  The potential awards contenders I wasn’t able to get to included […]

> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short).  This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has its own personality and place in the movie calendar.  TIFF has become hugely popular and important, especially in the last decade, […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fifth, is in a somewhat different mode, edging toward genre, but it continues to display his […]