MOTHERING SUNDAY (Sony Classics – Nov 19): Eva Husson’s film, adapted by Alice Birch from a Graham Swift novel, has many of the rote trappings of prestige costume drama. We’re back in the English countryside, during the interim between World Wars. Class distinctions are very much at the center of things, as manor-born Paul […]
THE ZONE OF INTEREST (A24 – TBD): Jonathan Glazer has only directed 4 feature films in his 23-year career (the most recent was Under the Skin a decade ago). His latest, The Zone of Interest, is a work of formal brilliance, although unlikely to be to the taste of mainstream audiences. So rigorous and painstaking in its […]
THE GREATEST BEER RUN EVER (Apple – September 30): Peter Farrelly’s Green Book was one of the clearest beneficiaries of winning Toronto’s People Choice Award, vaulting from being entirely under the awards radar to a (somewhat divisive) Oscar for Best Picture a few months later. No doubt the premiere of his follow-up The Greatest […]
WILLIAM TELL (Goldwyn – 2025): If it requires a certain amount of audacity to take a short children’s story and expand it into a violent adult action epic, that gall has to rise by several orders of magnitude when its 133 minutes conclude on a cliffhanger. William Tell, the one about the dad who’s forced […]
Sadly, the phrase “BEING CHARLIE is Rob Reiner’s best film in years” doesn’t mean nearly as much as it once would have. After a decade where he could do no wrong, he has, incredibly enough, been in the Hollywood wilderness for twenty years now, churning out flops like The Story of Us, Alex and […]
THE HATE U GIVE (20th – October 19): YA radicalization. George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an African-American teen who witnesses her friend shot to death by a white cop. But the story also wants to encompass […]
> I wasn’t aware that the Toronto Film Festival showed TV pilots until I caught a screening of PEACE, LOVE & MISUNDERSTANDING. As a pilot, Peace certainly has its appeal, with a strong cast that includes Jane Fonda, Catherine Keener, Jeffrey Dean Morgan and rising star Elizabeth Olsen (Martha Marcy May Marlene), and a reliable […]
THE FATHER (Sony Classics – TBD): It’s probably foolhardy to start making predictions about next year’s Oscars when this year’s haven’t even been handed out yet, but it’s hard to imagine a scenario where Anthony Hopkins’s performance in The Father won’t be a major part of the Best Actor conversation. It’s a showcase role, […]