LA LA LAND (Summit/Lionsgate – December 2):  No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride.  Chazelle’s rapturous […]

> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her new, dreadful sub-CW gothic thriller THE MOTH DIARIES in this year’s Toronto Film Festival. Diaries, which Harron adapted from a (reportedly […]

  THE FIRST TIME may be too lovable for its own good.  Jonathan Kasdan’s teen romance, which premiered in the Dramatic Competition at Sundance, couldn’t be more straightforward:  in its opening minutes, it introduces the adorable Dave (Dylan O’Brien) and Aubrey (Britt Robertson), two hyper-articulate sweethearts who meet outside a suburban LA party neither of […]

  CAT PERSON:  It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s celebrated New Yorker short story.  I’m given to understand, however, that the entire third act of Michelle Ashford’s adaptation is an add-on, which […]

  THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available in the existing footage.  A documentary can show what happened, but not necessarily why it happened.  That makes The Eyes of […]

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]

There are certain inevitabilities at Sundance, apart from snow:  something will go wrong (after I waited on line for 2 hours on opening day, the box office discovered that it had lost one of my passes), and no matter how carefully one chooses one’s film selections, some of the hottest titles will be missed.  For […]

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true, as the debuts of, among others, Ridley Scott (The Duellists) and David Fincher (Alien 3) have shown.  But cliches […]