SHIRLEY (no distrib):  Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss.  The script by Sarah Gubbins is based on a novel by Susan Scarf Merrell loosely inspired by Jackson’s life, and that fictional story has been changed […]

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family.  Paris was only a moderate art-house success in the US ($4.4M), but […]

  EXHIBITING FORGIVENESS (no distrib):  The noted painter Titus Kaphar has made an impressive shift into scripted feature films.  Although Exhibiting Forgiveness isn’t strictly speaking autobiographical, Kaphar’s protagonist Tarrell (Andre Holland) is a successful painter whose canvases resemble the filmmaker’s.  Tarrell travels with his wife (Andra Day, playing a recording star) and young son to […]

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s based on Wang’s own life, so much so that it would be a spoiler to reveal the caption to […]

> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Festival:  Park City At Midnight, Next, and New Frontier. Also announced were the Spotlight films, which is where Sundance puts films that […]

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]

> The Sundance Film Festival, like Toronto, issues its announcements about the films that will be screening in several stages.  (Sundance’s sadism about actually obtaining tickets, however, is all its own.)  Today came the first release for the January 2012 Festival, covering the US and international competition slates in Dramatic and Documentary films.  These are […]

  PALM TREES AND POWER LINES (no distrib):  Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does.  17-year old Lea (Lily McInerny) is stuck in a dead-end Southern California beach town at the end of summer with a distracted single mom (Gretchen Mol) and friends whose […]