V/H/S, which screened as part of Sundance’s Park City At Midnight series, is a gimmick piled upon a gimmick. First is the horror anthology itself, familiar from the Twilight Zone movie and Rod Serling’s Night Gallery TV show, among many others.  In this case, half a dozen unrelated short films, each from a different […]

> The Sundance Film Festival, like Toronto, issues its announcements about the films that will be screening in several stages.  (Sundance’s sadism about actually obtaining tickets, however, is all its own.)  Today came the first release for the January 2012 Festival, covering the US and international competition slates in Dramatic and Documentary films.  These are […]

  THEATER CAMP (Searchlight/Disney):  The odds are that a lot of people who’ll want to see a movie called Theater Camp are comfortable with the kind of ramshackle, hit-or-miss qualities associated with actual summer camp productions, and will likewise find plenty to enjoy in a movie that’s been made with more love and energy than […]

  Click on SHOWBUZZDAILY‘s reviews from this year’s Sundance Film Festival, in alphabetical order:   2 DAYS IN NEW YORK (Magnolia) BACHELORETTE (No Distrib) BEASTS OF THE SOUTHERN WILD (Fox Searchlight) CELESTE AND JESSE FOREVER (Sony Pictures Classics) COMPLIANCE (Magnolia) FILLY BROWN (No Distrib) THE FIRST TIME (No Distrib) FOR A GOOD TIME, CALL… (Focus) […]

> Josh Radnor’s writing/directing debut happythankyoumoreplease, which played Sundance a couple of years ago, was a promising, entertaining NY-set romantic comedy-drama that hailed from the Woody Allen division of indie film. His second film LIBERAL ARTS, which premiered last night at the festival, still sips from the fount of Woody (in this case, particularly from […]

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawork and lighting that imparted a sense of immediacy to the drama.  Bart Freundlich’s English-language remake dispenses with that style entirely.  […]

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation:  Ruby (Emayatzy E. Corinealdi) isn’t a single mom, but she might as well be, with husband Derek (Omari Hardwick) […]

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks came out, since Flora and Son was one of the festival’s unabashed crowd pleasers.  Like most of Carney’s work (Once, Sing […]