BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated, lengthy (although simulated) sex scenes between lead characters Adele (Adele Exarchopolous) and Emma (Lea Seydoux), which have earned it an […]

    FRIGHT NIGHT – Watch It At Home:  At Least Farrell Had Fun   The new remake of Tom Holland’s 1985 FRIGHT NIGHT has a great set of credentials.  Craig Gillespie, the director, was behind the well-regarded indie Lars and the Real Girl, and has since been house director of United States of Tara […]

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I believe, is short for “Martin”–is trying to write.  It’s also a tally that the movie keeps track of as the story moves […]

> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the first Friday the 13th had opened more than 16 years before.  The conventions of the form were as well-worn […]

  Earnest and low-key to a fault, Liza Johnson’s HATESHIP LOVESHIP might have felt more at home in the Narrative Competition at Sundance than in Toronto.  It has a dramatic recessiveness, almost a passivity, for much of its length, that makes it hard to see just what kind of story it thinks it’s telling.  Ultimately, though, it […]

  KODACHROME (no distrib):  AKA that page of the indie movie playbook marked “Dysfunctional Family Road Trip To Redemption.”  Jonathan Tropper (This Is Where I Leave You) wrote the script, and it has his novels’ mix of damaged-man soap and rom-com.  This one features a dying dad (Ed Harris), who has the kind of incurable […]

  WHITE HOUSE DOWN:  Worth A Ticket – Things Go “Boom”; We Go “Yay” WHITE HOUSE DOWN is wondrously stupid, so merrily, spectacularly idiotic that it washes the taste of Olympus Has Fallen and its grim mediocrity right out of your mouth.  Even though the threat of nuclear annihilation is waved around, and many random […]

> Although the word “International” is part of the name of the Toronto International Film Festival, it’s still Canada’s premier festival, and naturally features quite a few homegrown films.  Some of the most notable of these have already been announced (like David Cronenberg’s A DANGEROUS METHOD), and today TIFF announced the bulk of the rest.  […]