This year’s Toronto International Film Festival had a very solid line-up, so much so that although the titles below are listed in rough order of preference, even the worst of them is of some interest, very possibly worth seeing for those intrigued by the genre or filmmaker.  The Festival, as has been the case […]

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the reviews is here.  SHAME:  Audiences who go to the new film by Steve McQueen (not that one) for […]

  RUSTIN (Netflix – Nov. 17):  The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and sturdy at best (Ma Rainey’s Black Bottom, The Immortal Life of Henrietta Lacks).  Rustin marks his most accomplished […]

    FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way   We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones […]

      CONTRABAND:  Worth A Ticket – Working-Class Thriller   CONTRABAND is a B movie, but oddly enough, that’s one thing in short supply these days.  Action movies in modern Hollywood usually come with giant CG-laden budgets, or with a Drive-like overweening sense of self-importance.  A modest picture that simply wants to entertain for […]

  The year’s Top 10 movies are here, and a variety of honorable mentions are here.  But now for something completely different… Along with the egg nog and tinsel, there’s a certain undeniable seasonal pleasure to be had in singling out the truly spectacular misses of the movie year for some shame and ridicule.  We […]

  Airing on Cinemax:  At Home In Your Home With the failure of THE INFORMANT! at the box-office in 2009 (it grossed around $41M worldwide), Steven Soderbergh seemed to reach a crossroads in his career. Informantfollowed the even bigger financial flop of his ambitious 2-part Che, and soon afterward he announced his intention to retire […]

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality Malick brings even to his more insufferable projects.  In the case of AIN’T THEM BODIES SAINTS, the more apt comparison is probably to Robert […]