WHITE COLLAR:  Thursday 9PM on USA Season 5 of WHITE COLLAR couldn’t be in more of a rush to get the hell away from its Season 4 cliffhanger.  When we left intrepid FBI agent Peter Burke (Tim DeKay), he was in prison for killing a US Senator, a crime actually committed by the father […]

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whether they like it or not, by embittered love and old family scars.  What isn’t expected, though, is for those roles to be filled by SNL alumni Kristen […]

  GREY’S ANATOMY doesn’t get much attention these days, not even compared to its creator Shonda Rhimes’s shinier Scandal—Grey’s is just a soap–but after 10 years, it still knows how to pull off a big episode.  The fall finale, written by Co-Executive Producer William Harper and directed by Tony Phelan, effectively kicked off a long […]

  EPISODES:  Sunday 10:30PM on Showtime EPISODES, written from beginning to end by David Crane (a creator of Friends) and fellow sitcom vet Jeffrey Klarik, improved considerably in its second season, adding some shading to its original cartoon about a married pair of relative babes-in-the-woods British writer/producers corrupted by the comfort and thorough superficiality of […]

  This year’s COVEN season of AMERICAN HORROR STORY was as cohesive as the proudly bizarre  series is ever likely to get.  That entailed a slight shortage of the WTF variety moments that have made the two previous seasons memorable–no aliens, no fiendish medical experiments, no appearances by Anne Frank–but there was something to be […]

  THOSE WHO KILL:  Monday 10PM on A&E – Worth A Look It has the accoutrements of a basic cable crime drama–the heroes are seriously screwed-up, and occasionally say “shit”–but THOSE WHO KILL is a surprisingly conventional procedural in its initial hour, especially given its adjacency on the A&E schedule to the more perverse and […]

  NOAH:  Worth A Ticket –The Word According to Darren Aronofsky When Darren Aronofsky decided to follow Black Swan, the biggest hit of his career, with the story of Noah and the Ark, it seemed like a perverse choice.  Traditionally, the big-budget biblical epic has been among the blandest and most conservative of Hollywood genres, […]

  THE BOONDOCKS:  Monday 10:30PM on Adult Swim Aaron McGruder’s name is barely to be found in the credits for Season 4 of Adult Swim’s animated THE BOONDOCKS, absent as both a producer and writer (he retains a credit for his contribution to the show’s theme song), and since he was, unusually, not only the […]