FX’s THE STRAIN is doing something that The Walking Dead and its cohorts in the undead genre won’t:  telling a (more or less) coherent story from beginning to end, and exiting when it’s over.  During this third season, it was announced that next year, despite ratings that are still more than acceptable (if far […]

  A recurring storyline in FX’s TRUST tracked the obsession of J. Paul Getty (Donald Sutherland) with the sumptuous Los Angeles museum that would bear his name, which was ultimately revealed to be a gigantic monument to its own pointlessness.  Series creator Simon Beaufoy couldn’t have intended that as a mirror to his own show, […]

  For 3 seasons, Noah Hawley’s FX anthology series FARGO displayed an uncanny ability to channel the unique sensibilities of Joel and Ethan Coen, even while telling original stories with their own idiosyncratic characters.  In Season 4, Hawley seemed to tire of exercising that muscle, and while the season was clearly intended as his nod […]

  CROSSBONES, despite some hoopla when it was first announced, turned out to be a series hardly anyone wanted to watch.  Adjusting for the fact that Starz is only in 1/3 of US households, even that network’s Black Sails was ahead in the year’s piratical sweepstakes, despite Crossbones airing on NBC and featuring the series […]

> When A GIFTED MAN came onto the scene, it had all the high-class auspices a new series could want.  The pilot was directed by Academy Award-winner Jonathan Demme, was written by Susannah Grant (Eric Brockovich) and had a cast that included such strong actors as Patrick Wilson, Jennifer Ehle, Margo Martindale (who, by the […]

  Every year at about this time, Marvel faces a contradiction.  Even as it has a giant movie dominating multiplexes worldwide (this year, of course, it’s Captain America: Civil War, which is approaching the $1 billion mark), its TV business struggles.  Over the past few weeks, network cousin ABC has canceled hiatus series Agent Carter, […]

  The second season of FX’s THE BRIDGE faced quite a few challenges, some of them traceable to Season 1, and others self-created.  The original version of The Bridge was closely tied to the Swedish/Danish series on which it had been based.  It featured an extremely gimmicky serial killer plot that clashed violently with the […]

  Here lies HAPPY ENDINGS, one of the funniest comedies on all of television–foully murdered by some of the worst scheduling moves in recent network memory.  ABC began the season by sending the show (along with Don’t Trust the B___ In Apt 23) on a virtual suicide run, competing head-to-head on Tuesdays with New Girl, […]