THE 100 stood apart from its CW fantasy-adventure counterparts, unique both in its often unexpected (and sometimes ruthless) narrative choices, and in the sense it imparted of true auteurship by series creator Jason Rothenberg.  The fact that the series reached 7 seasons is itself remarkable, as it never approached the ratings echelon of the […]

  The second half of REVOLUTION‘s season tried to be interesting, God knows.  The initial run of episodes after the pilot mostly seemed to consist of our heroes trudging through forests, on the trail of militia-captured teen Danny Matheson, brother of heroine Charlie (Tracy Spiridakos) and nephew of Miles (Billy Burke).  But when Revolution returned […]

  You have to feel a little sorry for COMPLICATIONS, introduced by USA Network during the same summer that the network unveiled Mr. Robot, a game-changer that may be the most exciting new show of the year on any network.  Complications, by comparison, felt like the last act of a dying old programming regime–specifically, the […]

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assume the occupants were socially distanced) seemed irresistible.  The premise:  a pair of onetime lovers follow through on […]

  It was clear from the pilot of NBC’s GOOD GIRLS that the series had a trio of strong assets and some major challenges.  The strengths were its three stars, Christina Hendricks, Retta and Mae Whitman, each of them thoroughly capable of anchoring a show on her own, and together an Avengers-like powerhouse of warmth, […]

  Tonight’s Season 2 finale of SLEEPY HOLLOW conspicuously concluded in a way that could also serve as a series finale, a distinct possibility because this underwhelming season has left the series with ratings down 40% from last year’s heyday (and less than half of its original hit premiere).  The finale turned out to be […]

  TYRANT wasn’t the summer’s worst show, but it’s been the most piercing disappointment of the mini-season,  wasting a potentially thrilling premise–behind the scenes at a Middle Eastern military dictatorship–that seemed perfectly suited to FX, one that could combine the network’s trademark narrative energy and ambition with prestige (series co-developer Howard Gordon is also a […]

  It’s odd for a successful TV series to be asked to justify its continued existence, but that’s where HBO’s BIG LITTLE LIES found itself after the network looked at the Season 1 ratings (not just high but steadily rising, which is almost unheard-of these days), and expanded the show from its original one-time-only limited […]