The third season of DEFIANCE may have been its most assured and cohesive to date.  However, as the most expensive of Syfy’s low-rated trio of Friday scripted summer shows, its fate has been far from certain.  In fact, tonight’s season finale, written by series co-creator Kevin Murphy and directed by Michael Nankin, felt overwhelmingly […]

  It’s odd to think that the biggest hit on American television is centered around the flesh-eating undead, but enough about Fox News…  THE WALKING DEAD is a genuine television phenomenon, in more ways than one.  To begin with, it’s a staggering success, a cable series that routinely has larger audiences (in the 18-49 demographic, […]

  VEEP keeps setting new challenges for itself, and surpassing them.  Last season, it underwent a change at the top when series creator Armando Iannucci decided to move on, and new showrunner David Mandel kept the trains running as hilariously as ever.  This year, it imploded its own paradigm, exploring what its political satire would […]

  In a season that was loaded with bad news for the broadcast networks, none may have been more distressing than the ratings trajectory of EMPIRE.  With all due respect to This Is Us, Empire was the last network show to provide reassurance that not just solid hits but actual blockbusters were still possible–at its […]

  Even the explosion that briefly rocked the Season 5 finale of ROOKIE BLUE was of modest proportions, in keeping with the ambitions of the veteran Canadian summer series, licensed by ABC for American air.  It was a mid-sized bang that hardly injured heroine Andy McNally (Missy Peregrym) at all, and that described this season […]

  It was no easy feat for the second season of THE FOLLOWING be even more idiotic and vicious than its Season 1.  But devotion to craft pays off in the end, and series creator Kevin Williamson and his writer/producer partners managed to do it, with tonight’s season finale capping the accomplishment. Where to begin […]

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a repository for scripted burn-offs (this summer’s The Goodwin Games as well as flops like Do No Harm and 666 Park Avenue) and cheap international co-productions (Camp, Crossing Lines, Siberia, Motive, etc) […]

  It’s a continuing paradox that a show could have as many colorful characters, so terrific a cast, as much plot and incident and history (not to mention sex and violence) and visual style as BOARDWALK EMPIRE does and yet so often feel like homework.  It’s a pulpy series that sometimes lets its morose sense […]