USA’s THE SINNER was a genuine if moderate sleeper of this summer’s TV season, not a breakout hit but consistently rating ahead of its lead-in, the veteran Suits, and it’s not entirely clear why. The show marked the return to TV of Jessica Biel, playing the seemingly ordinary Cora Tannetti, who committed a violent […]
This year, the original Las Vegas-set CSI, about to begin its 12th season on the air, faced not one but two crossroads. A couple of years earlier, the show’s original star William L. Petersen had decided a decade was enough, and decided not to renew his contract. Conventional wisdom has it that an […]
SUPERGIRL undertook a journey this season more unusual than its own heroine’s passage from Krypton to Earth, transferring from CBS to CW. It suffered little if any damage in the process–other than in the ratings, since CBS’s universe of viewers is far larger than the one at its new home. Budgets were reportedly slashed, […]
OUTLANDER overcame a shaky conceptual start to become a thoroughly compelling historical romance, and probably the best original series Starz has aired thus far. There’s still something fundamentally odd about the fact that the underlying plot gimmick, the trip in time that heroine Claire (Caitriona Balfe) has taken from 1945 Scotland to 1743, has […]
Tonight’s season finale of Lifetime’s very softcore (so soft it’s basically liquid) prostitution hit THE CLIENT LIST was more guilty than pleasure. The hour, written by Producer Barbara Nance (from a story by Nance and star Jennifer Love Hewitt) and directed by Hewitt herself, was actually quite bewildering. After last week’s climactic bombshell of Riley’s […]
The first season of Freeform’s Marvel series CLOAK & DAGGER was from the measured pace school of serialized TV drama. Joe Pokaski’s saga was essentially 10 hours of origin story, tracing Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph) from teen outcasts to budding superheroes, with only scattered uses of their powers until […]
The final hour of PARKS & RECREATION was more conceptual than one might have expected, in a way that made it feel more like an epilogue than a conclusion. Written by series co-creator/showrunner Michael Schur and star/producer Amy Poehler, and directed by Schur, it was an omnibus of flash-forwards, advancing the action as much […]
It was no easy feat for the second season of THE FOLLOWING be even more idiotic and vicious than its Season 1. But devotion to craft pays off in the end, and series creator Kevin Williamson and his writer/producer partners managed to do it, with tonight’s season finale capping the accomplishment. Where to begin […]