I’m not sure when THE NEIGHBORS started winning me over.  I dismissed the pilot as an overbroad, gimmicky, mostly witless rehash of 3d Rock From the Sun, but as quickly as an October episode where Zabvronian alien Jackie Joyner-Kersee (Toks Olagundoye), who usually speaks with a British accent that would put her in good […]

  ARROW had a somewhat unsuper fourth season.  That was partly due to its villain:  Damien Darhk, however enthusiastically played by Neal McDonough, was an all-smirk-all-the-time Big Bad in dapper suits, a Bond-ish villain whose added dimension of magic was very sub-Darth Vader, with much flicking of the wrist to send foes flying into nearby […]

  “There are no good guys,” titular Chancellor of post-apocalyptic Earth Abby Griffin (Paige Turco) told her teenage daughter Clarke (Eliza Taylor), who had supplanted her as de facto warrior queen of humanity, toward the end of THE 100’s Season 2 finale tonight.  Abby was trying to comfort Clarke, who had just massacred men, women and children […]

  Check Out THE SKED’s Complete Season Finale Reviews HERE. Maybe Kyle Killen and Taylor Kitsch should have coffee together.  Kitsch, of course, is now infamous as the only man in history to star in two $200M bombs within a few weeks of one another (John Carter and Battleship, in case your memory is short).  […]

  Frank Darabont has had a busy couple of weeks, although not necessarily in a good way.  He launched TNT’s MOB CITY, his first project since being thrown off AMC’s The Walking Dead after less than two seasons as creator/showrunner, to ratings that started out as disappointing and only got worse.  Then, earlier this week, […]

  After three seasons, THE KILLING is still hard to get a fix on.  Technically it’s a murder mystery, but efficiently and intelligently spinning out crime stories is what it’s least good at–its narrative is notoriously overextended, sloppily plotted and reliant on bad detective work and a seemingly infinite number of red herrings.  (Even though […]

  Hail and farewell to RAISING HOPE, that gently surreal bundle of quirky comedy that may have been too downscale to ever quite hit the pop culture jackpot.  The writing was discernible on the wall when series creator Greg Garcia left before the start of Season 4 to create The Millers and then FOX switched […]

  The limits of critical adoration are demonstrated by LOUIE.  Despite possibly terabytes of raves and features about Louis C.K.’s show in every corner of the media all season, the ratings, especially since Anger Management finished its run, have been terrible, and last night’s season finale was watched by fewer than 450,000 people in its […]