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SOUL SURFER: Charlie Don’t Surf

> Not Even For Free. There’s a key scene in the new SOUL SURFER where the one-armed teen surfer Bethany Hamilton, who’s had her other arm chewed off by a shark and who despairs of her career in competition, is in Th...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Bachelorette”

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played...
by Mitch Salem
 
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SOURCE CODE: If At First You Don’t Succeed…

> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result.  But that diagnosis doesn’t allow for this:  a man (Jake Gyllenhaal) wakes up an...
by Mitch Salem
 
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DIARY OF A WIMPY KID–RODRICK RULES: Shortbus

> Not Even For Free It was a feel-good story last weekend when the expensive shambles called Sucker Punch went down, defeated by the relatively low-budget family comedy DIARY OF A WIMPY KID:  RODRICK RULES.  (Mitch Me...
by Mitch Salem
 
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ARTHUR: 12-Step Programmer

> Watch It At Home. Were the executives at Warner Bros so desperate to be in business with Russell Brand that they huddled together in a conference room one day, frantically going through their library titles in search of alcoh...
by Mitch Salem
 
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TRUST: Tangled Interweb

> Worth A Ticket. Of all the “Friends” who kept America company in its collective living room for a decade, David Schwimmer has taken the most concerted step away from the work that made him famous.  While Cour...
by Mitch Salem
 
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YOUR HIGHNESS: Ye Olde Disaster

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a h...
by Mitch Salem
 
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ARCHIVE REVIEWS: “Prince of Persia” and “Moon”

> SOURCE CODE is this weekend’s major live-action opening, so here’s a look at some recent work by its star Jake Gyllenhaal and its director Duncan Jones. Gyllenhaal has had a curious Hollywood career thus far, and ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Compliance”

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a...
by Mitch Salem
 
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THE CONSPIRATOR: Court In Session

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downrig...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “For a Good Time, Call…”

> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Save the Date”

> Michael Mohan’s SAVE THE DATE, which premiered this afternoon at Sundance, doesn’t earn its points from an original premise. It concerns 2 divergent sisters, Sarah (Lizzy Caplan) and Beth (Alison Brie), but mostly...
by Mitch Salem
 
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The Sked

The Sked: Upscale Ratings for Smash and What It Means for NBC

>As we have discussed, the jury is still out on Smash.  We don’t know where its ratings will settle, as it gives up over half of its massive lead in from The Voice, it was down sharply in its second week versus the p...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Liberal Arts”

> Josh Radnor’s writing/directing debut happythankyoumoreplease, which played Sundance a couple of years ago, was a promising, entertaining NY-set romantic comedy-drama that hailed from the Woody Allen division of indie f...
by Mitch Salem
 
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HANNA: Children’s Hour

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conce...
by Mitch Salem
 
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