Posts Tagged ‘Articles’
 

 

THE CONSPIRATOR: Court In Session

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downrig...
by Mitch Salem
 

 
 

FAST FIVE: Boxoffice Express

> Worth a Ticket:  Diesel and The Rock keep their pedals to the metal. If you want to feel truly American, try reflecting on the new FAST FIVE while wall-to-wall coverage of the British royal wedding is airing on the telev...
by Mitch Salem
 

 

 

BRIDESMAIDS: Bachelorette Party

> Watch It At Home: As Long and Uneven As a Real-Life Wedding. Few recent movies have arrived bearing such a bouquet of goodwill as the new comedy BRIDESMAIDS.  It marks the movie starring and screenwriting (with Annie Mum...
by Mitch Salem
 

 
 

INSIDIOUS: What’s That Noise?

> Worth a ticket. The director and writer of Saw, James Wan and Leigh Whannell, combine again to bring us–hey, where are you going?  No, seriously:  don’t run away.  Leaving aside that Saw is rather u...
by Mitch Salem
 

 

 

LIMITED RELEASE: “Beginners”

> Worth a Ticket:  A funny, moving story about navigating the twists of life.   Mike Mills’ BEGINNERS is about the fumble for love, the wrong turns and mistakes that can delay–although luckily not always p...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Red Lights”

> Or if the title were a Jeopardy answer, the question would be: what should writer/director Rodrigo Cortes have paid attention to, before he typed “The End” on his script Red Lights wouldn’t have been a festi...
by Mitch Salem
 

 

 

TRUST: Tangled Interweb

> Worth A Ticket. Of all the “Friends” who kept America company in its collective living room for a decade, David Schwimmer has taken the most concerted step away from the work that made him famous.  While Cour...
by Mitch Salem
 

 
 

“MIDNIGHT IN PARIS” : Ah, Paree!

> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations.  I mention this because after more than 40...
by Mitch Salem
 

 

 

LIMITED RELEASE: “Beautiful Boy”

> Watch It At Home:  Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be.  The premise is certainly arresting:  Shawn Ku’s first film (written with Michael Arm...
by Mitch Salem
 

 
 

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES” – Take the Train

> Watch It At Home; Dreary Franchise Moviemaking. In the 137 minutes of Pirates of the Caribbean:  On Stranger Tides, the 4th installment in Disney’s hugely successful franchise (and yes, you have to sit through all ...
by Mitch Salem
 

 

 

“KUNG FU PANDA 2” – Black Belt

> Worth A Ticket; This franchise has been working out. Over the past few years, DreamWorks Animation has been emerging a bit from its place as the jokey, insubstantial sidekick to Pixar’s superhero studio.  How To Tr...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Room 237”

> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Compliance”

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a...
by Mitch Salem
 

 
 

LIMITED RELEASES: “Queen to Play,” “Ceremony” and “Meet Monica Velour”

> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie.  We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wi...
by Mitch Salem
 

 

 

THE BIJOU: “Submarine”

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto...
by Mitch Salem