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Behind the US/Worldwide Weekend Box Office – 12.2.2018

  OPENINGS:  At $6.5M, THE POSSESSION OF HANNAH GRACE (Screen Gems/Sony) performed adequately for a low-budget horror item placed in one of the lower-grossing weekends of the year.  Possession also earned $4.1M in 17 int...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.19.2021

  OPENINGS:  The spectacular success of SPIDER-MAN: NO WAY HOME (Marvel/Columbia/Sony) may have less to say about the box office overall than some would like to think.  No Way Home vaporized all pandemic-era records with...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.29.2019

  OPENINGS:  LITTLE WOMEN (Columbia/Sony) had a solid start with $16.5M over the 3-day weekend ($29M since Wednesday).  The next week will be particularly difficult to predict because of the midweek holiday, after which ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Just Getting Started” Stops Dead, “The Disaster Artist” Goes Wide, “Coco” Wins Again

  The studios remained largely averse to going wide on the weekend before The Last Jedi devours the universe.  JUST GETTING STARTED (Broad Green) was thrown with little ceremony and no advance reviews into 2161 theatres, ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.10.2017

  OPENINGS:  Even though THE DISASTER ARTIST (A24) was at just 840 theatres, its $6.4M weekend had no trouble topping its woeful newcomer competition.  That total (which may come down a bit in finals, because A24 tends t...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.15.2019

  OPENINGS:  JUMANJI: THE NEXT LEVEL (Columbia/Sony) successfully rode its strategy of arriving in theatres ahead of The Rise of Skywalker to a $60.1M weekend, far ahead of the $36.2M opening weekend for the last Jumanji ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Ralph,” “The Grinch,” Golden Globe Nominees Lead Holdover Weekend

  The lack of any new wide openings and the arrival of the year’s Golden Globe nominations are making for a strong holdover weekend, although for some titles more than others.  According to preliminary numbers at D...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.16.2018

  OPENINGS:  The $35.4M weekend result for SPIDER-MAN: INTO THE SPIDER-VERSE (Sony Animation/Columbia/Sony) was in keeping with its Friday projections, and the expectation is that it will thrive through the holidays.  It...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 12.13.2020

  OPENINGS:  There were no wide openings this weekend.  Limited releases included WILD MOUNTAIN THYME (Bleecker Street, also available digitally) at 450 theatres with a $223 per-theatre weekend average and a $100K total;...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Aquaman” Swims Past “Mary Poppins,” “Bumblebee”

  Considering the spotty box office record of the DC movie franchise, it was something of a risk to place AQUAMAN (DC/Warners) at the center of the holiday market, but the bet is paying off, at least to an extent.  Accord...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 12.20.2020

  OPENINGS:  Sony is one of the last remaining studios to honor the full conventional theatrical distribution window, so MONSTER HUNTER (Screen Gems/Sony) will have roughly 3 months to sell tickets before it’s avail...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.8.2019

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Spider-Verse” Stings, “The Mule” Solid, “Mortal Engines” Crashes, “The Favourite” Expands

  After two weeks of sloth, Hollywood started rolling out its pre-holiday product.  The weekend’s easy winner will be SPIDER-MAN: INTO THE SPIDER-VERSE (Sony Animation/Columbia/Sony), which had a $12.6M Friday accor...
by Mitch Salem
 
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