Posts Tagged ‘drama’
 

 

THE BIJOU REVIEW: “Extremely Loud and Incredibly Close”

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served t...
by Mitch Salem
 

 
 

THE SKED’S SERIES PREMIERE REVIEW: ABC’s “Mistresses”

MISTRESSES:  Monday 10PM on ABC – If Nothing Else Is On… These days, primetime soap operas usually try to be something else as well:  comedies (Desperate Housewives), musicals (Glee), thrillers (Revenge), medical ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ PALEYFEST 2012: “The Vampire Diaries”

> When the PaleyFest panels end, cast members often linger for a bit to sign autographs and otherwise make contact with the fans.  Therefore when the moderator says “Thank you” and the lights go up, there’...
by Mitch Salem
 

 
 

THE SKED PILOT REPORT: NBC’s “Grimm”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 

 

LIMITED RELEASES: “Queen to Play,” “Ceremony” and “Meet Monica Velour”

> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie.  We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wi...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “The Playboy Club”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “The LA Complex”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Person Of Interest”

  There’s a reason CBS is as successful as it is.  PERSON OF INTEREST is just a procedural–albeit one with an unusually complicated premise–but it mixes solid plotting, well-paced action and just enough ...
by Mitch Salem
 

 

 

THE SKED PILOT REPORT: NBC’s “The Playboy Club”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 
 

THE SKED: “Hatfields & McCoys” Blows Up The Record Books – Again

    It’s not exactly a surprise that History’s HATFIELDS & MCCOYS had another spectacular ratings night with its conclusion on Wednesday.  The show actually went up from its record-setting Part 1 audi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Newsroom”

Here’s what Aaron Sorkin’s THE NEWSROOM is, for better and very often for worse:  a deadly serious, indeed doggedly self-righteous, primer on how news should be reported and, by extension, how America should be gov...
by Mitch Salem
 

 
 

THE SKED FINALE REVIEW: “Hatfields & McCoys”

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment wr...
by Mitch Salem
 

 

 

THE SKED RIP WATCH: “Men Of A Certain Age”

> HBO can afford to keep little-watched shows like In Treatment and Treme around, because they’re not selling advertising–they’re selling a brand.  People who will only watch True Blood and Entourage feel...
by Mitch Salem
 

 
 

THE SKED PILOT REVIEW: “Dallas”

  DALLAS – Wednesday 9PM on TNT:  If Nothing Else Is On…   DALLAS is a gusher, all right.  TNT’s disinterment of the 1980s blockbuster soap is loaded with so many emptily portentous glares and melo...
by Mitch Salem
 

 

 

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem