Posts Tagged ‘holiday box office’
 

 

New Year’s Box Office: Big Day At the Multiplex; “Wolf” Zooms

  Everything went up at the New Year’s Day box office (bringing to an end the holiday bounty), but to wildly varying degrees.  Business should fall today and rise tomorrow and Saturday, but not to a point equal to N...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7/5/15

  OPENINGS:  TERMINATOR: GENISYS (Skydance/Paramount) had hoped, even with July 4th subduing Saturday business, to find a holiday spark that would allow it to earn at least a $150M total in the US, but after a $28.7M open...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12/21/14

  Although we’re still a few days away from December 25, the holiday movie rush is upon us, which should mean an unusually strong Sunday that will lead into 2 solid weeks of weekday numbers that look more like weeken...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.16.2020

  OPENINGS:  A Friday Valentines Day that leads into a long holiday weekend is a bonanza for Hollywood, and the movie that cleaned up the most was SONIC THE HEDGEHOG (Paramount), with a remarkable $57M over the 3-day week...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.5.2016

  OPENINGS:  THOR: RAGNAROK (Marvel/Disney) exceeded high expectations, which is no mean feat for a Marvel blockbuster.  In the US, its weekend was $121M, 42% ahead of both Thor: The Dark World and last November’s ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11/13/16

  OPENINGS:  The box office was boosted in general by Veterans Day, which gave many Americans a 3-day weekend, but ARRIVAL (FilmNation/Sony/Paramount) was still notably impressive with a $24M weekend at a mid-wide 2317 th...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 12.27.2020

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Crood...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.29.2019

  OPENINGS:  LITTLE WOMEN (Columbia/Sony) had a solid start with $16.5M over the 3-day weekend ($29M since Wednesday).  The next week will be particularly difficult to predict because of the midweek holiday, after which ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 5.26.2019

  OPENINGS:  ALADDIN (Disney) will probably be in the top half-dozen Memorial Day openings when Monday brings it to $105M or so (the 3-day total is $86.1M).  Compared to other Disney live-action reboots of animated hits,...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 1.16.2022

  OPENINGS:  The 18-34 audience that now defines theatrical distribution in the US showed up for SCREAM (Skyglass/Paramount), propelling the reboot to $30.6M for the 3-day weekend and $35M for the 4-day holiday.  Reporte...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7.8.2018

  OPENINGS:  ANT-MAN & THE WASP (Marvel/Disney) turned out to be rather front-loaded, with a 30% Saturday drop (compared to 14% for the 2nd day of Ant-Man).  That pushed the studio weekend estimate down to $76M, whic...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: Another Winning Holiday For “Last Jedi” & “Jumanji,” But “All The Money” Starts Slow

  Most films will rise this weekend compared to last week, simply because New Year’s Eve is a bigger moviegoing occasion than Christmas Eve.  Generally, box office should rise 20% or so on Saturday, drop around 30% ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 9.1.2019

  OPENINGS:  Labor Day weekend is traditionally Hollywood’s graveyard, and no major studio touched the holiday with a fresh arrival.  DON’T LET GO (Blumhouse Tilt/OTL) tried to take advantage of the quiet, ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.29.2022

  OPENINGS:  Although TOP GUN: MAVERICK (Paramount) is a 36-years-later sequel, the franchise that it really represents is Tom Cruise unto himself.  The last true Hollywood megastar brought in a massive audience that was...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12.22.2019

  OPENINGS:  The numbers for STAR WARS: THE RISE OF SKYWALKER (Lucasfilm/Disney) were always going to be huge, but despite all the “dog ate its homework” excuses like pre-holiday shopping syndrome that are ric...
by Mitch Salem