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Behind the US/Worldwide Weekend Box Office – 7.28.2024

  OPENINGS:  DEADPOOL AND WOLVERINE (Marvel/Disney) landed at the top of sky-high expectations with $205M in the US and $233.3M overseas, the best US (and MCU) start since Spider-Man: No Way Home in 2021, the best worldwi...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.11.2024

  OPENINGS:  IT ENDS WITH US (Wayfarer/Columbia/Sony) roared past expectations with a remarkable $50M.  That studio estimate comes with a couple of asterisks–it includes an unspecified amount from wide Wednesday sc...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.30.2024

  OPENINGS:  A QUIET PLACE: DAY ONE (Paramount) handily exceeded expectations with $53M in the US, better than its predecessors ($50.2M and $47.5M respectively, although Part II earned $57.1M over its 4-day holiday launch...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.16.2024

  OPENINGS:  INSIDE OUT 2 (Pixar/Disney) overdelivered massively compared to expectations with $155M in the US, a remarkable $65M higher than the start for 2015’s original Inside Out, and depending whether you count...
by Mitch Salem
 
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Behind The US/Worldwide Weekend Box Office – 7.7.2024

  OPENINGS:  DESPICABLE ME 4 (Illumination/Universal) arrived at the high end of expectations with a $75M 3-day weekend and $122.6M since its July 3 opening.  That was a tad below 2013’s Despicable Me 2, which also...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.23.2024

  OPENINGS:  THE BIKERIDERS (Regency/Focus/Universal) seized the opportunity to open on a prime summer weekend without any new tentpole releases, and the studio estimate (which assumed the strongest Sunday hold in the Top...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.14.2024

  OPENINGS:  LONGLEGS (Neon) captured the zeitgeist, successfully delivering the marketing message that it was the scariest horror movie in recent memory.  The result was  a$22.6M weekend, which set a new Neon record by...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.25.2024

  OPENINGS:  None of the weekend’s wide arrivals found much of an audience.  BLINK TWICE (MGM/Amazon) led the weak group with $7.3M, and given its relatively low $20M+ production costs, it might hit breakeven, depe...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.4.2024

  OPENINGS:  TRAP (Blinding Edge/Warners) had the unenviable task of facing the 2nd weekend of Deadpool and Wolverine and wasn’t up to the task, emerging at the low end of expectations with $15.6M.  That’s in...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9.1.2024

  OPENINGS:  A variety of studios threw product at the Labor Day weekend wall.  None of them broke through, but REAGAN (ShowbizDirect) zeroed in on its target audience–reportedly nearly 2/3 of the audience was over...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.18.2024

  OPENINGS:  ALIEN: ROMULUS (20th/Disney) became the latest franchise product to hit big this summer, arriving at the high end of expectations with $41.5M.  That was higher than 2017’s Alien: Covenant ($36.2M), alt...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.21.2024

  OPENINGS:  The box office for TWISTERS (Warners/Universal) was paradoxical.  In the US, the movie strongly outperformed expectations with $80.5M.  However, it showed much less appeal overseas, with $27.1M in 76 territ...
by Mitch Salem
 
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