Posts Tagged ‘movie review’
 

 

THE SHOWBUZZDAILY REVIEW: “G.I. Joe: Retaliation”

  G.I. JOE: RETALIATION:  Not Even For Free – Endlessly Dumb Exercise In Boom-Boom Action There’s a difference between making a movie for 11-year old boys and having a script that seems to have been written by...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Camp X-Ray”

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which end...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Dead Man Down”

  DEAD MAN DOWN:  Watch It At Home – Effectively Moody Tale of Revenge Until its final reel, when it arrives pretty much where you thought it was going to go from the very start, and in a way even dumber than you ex...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “After Earth”

  AFTER EARTH:  Not Even For Free – The Smith Family In Outer Space In AFTER EARTH, Will Smith plays Cypher Raige, an emotionally austere father who withholds affection from his son because of his doubt that the boy...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Now You See Me”

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this sea...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Croods”

  THE CROODS:  Watch It At Home – Prehistoric Sitcom’s Bland Storyline Doesn’t Evolve Hollywood already has a thriving CG-animated prehistoric franchise in the Ice Age series, but DreamWorks Animation ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: Capsule Reviews

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Magic Magic”

  MAGIC MAGIC never really makes clear what it intends to be, but it’s awfully fascinating to watch. Written and directed by the prolific Sebastian Silva, who had two films at Sundance this year (the other was the we...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Christopher Nolan’s “The Dark Knight”

  If THE DARK KNIGHT had no superhero or comic book trappings–if The Joker were scarred but not hideously made up, and Batman were a bit lower-tech and merely disguised rather than wearing a cowl and cape–Chris...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “The Great Gatsby”

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apat...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Broken City”

  BROKEN CITY:  Watch It At Home – Wahlberg and Crowe In An Intriguing But Too Simplistic Thriller Studios love nothing better than predictability, so since Mark Wahlberg had a tidy January hit last year with Contra...
by Mitch Salem
 

 
 

SHOWBUZZDAILY VOD REVIEW: “The Magic of Belle Isle”

  THE MAGIC OF BELLE ISLE:  In Limited Theatrical Release and on VOD – If Nothing Else Is On   Few recent Hollywood career trajectories have been as puzzling as Rob Reiner’s.  From 1984-1992, Reiner dire...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem