Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Trouble With the Curve”

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Sweetwater”

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized mov...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Need For Speed”

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too ofte...
by Mitch Salem
 

 

 

SHOWBUZZDAILY VOD REVIEW: “The Magic of Belle Isle”

  THE MAGIC OF BELLE ISLE:  In Limited Theatrical Release and on VOD – If Nothing Else Is On   Few recent Hollywood career trajectories have been as puzzling as Rob Reiner’s.  From 1984-1992, Reiner dire...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Identity Thief”

  IDENTITY THIEF:  Watch It At Home – Star Power Makes This Rote Comedy Look Better Than It Is IDENTITY THIEF is basically a string of contrivances, which makes it not all that different from most big-studio comedie...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY MOVIE REVIEW: “Pain and Gain”

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, ho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “This Is The End”

  THIS IS THE END:  Worth A Ticket – Apocalypse Right Now Imagine an dystopian mumblecore extravaganza populated mostly by the Judd Apatow stock company, and you’ll have an idea of what to expect from THIS IS ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Wolverine”

  THE WOLVERINE:  Watch It At Home – The Clawed Superhero’s Latest is Distinctive But Unthrilling THE WOLVERINE, wanting to be both more and less than a typical superhero spectacle, demonstrates the perils of ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Guilt Trip”

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (w...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “God’s Pocket”

  Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET.  Based on a novel by Pete Dexter, it marked the feature directing debu...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Lincoln”

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “After Earth”

  AFTER EARTH:  Not Even For Free – The Smith Family In Outer Space In AFTER EARTH, Will Smith plays Cypher Raige, an emotionally austere father who withholds affection from his son because of his doubt that the boy...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ass Backwards”

  The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she w...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Oz the Great and Powerful”

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and cramme...
by Mitch Salem