Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Mortal Instruments: City of Bones”

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Skyfall”

  SKYFALL:  Worth A Ticket – Bond Reborn For years–decades, actually–there have been periodic murmurings that a “real” director would one day take the helm of a James Bond movie.  At various...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Monsters University”

  MONSTERS UNIVERSITY:  Watch It At Home – No Dean’s List For Pixar’s Latest There’s a wonderfully charming, imaginative Pixar movie opening on Friday, one that will restore your faith in the studi...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Dark Knight Rises”

THE DARK KNIGHT RISES:  Worth A Ticket – The Saga That Rewrote Superhero Movies Goes Out With A Weighty Bang Christopher Nolan likes his intricate, novelistic plotting.  You remember the portion of The Dark Knight wher...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: The Twilight Saga – Breaking Dawn Part 2

  THE TWILIGHT SAGA:  BREAKING DAWN PART 2:  Watch It At Home – Fangless Eternal Love, For the Last Time Even for those of us decidedly not devotees of the TWILIGHT saga, there are some things to be said for BREAKI...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Sabotage”

  SABOTAGE:  Not Even For Free – A Bloody Waste SABOTAGE is a lot bloodier than you’re expecting.  A lot bloodier.  I mention this upfront because although an R-rated Arnold Schwarzenegger vehicle carries wi...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Ice Age: Continental Drift”

  ICE AGE:  CONTINENTAL DRIFT – Watch It At Home – The CSI of Family Franchises Does Its Thing   You know what the fabulous Peter Dinklage never gets to do on Game of Thrones?  Sing!  That’s remed...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Short Term 12″”

  SHORT TERM 12:  Run To the Multiplex – Powerful and Moving Indie Drama How can I make you want to see SHORT TERM 12?  It’s one of the year’s best pictures, but I feel as though describing the plot and...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “The Great Gatsby”

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apat...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Computer Chess”

  Andrew Bujalski’s COMPUTER CHESS has a great setting for a comedy.  The time is circa 1980, and the place is an anonymous hotel where a group of nerds–back before nerds were cool–have gathered for thei...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Out Of the Furnace”

  OUT OF THE FURNACE:  Watch It At Home – Dark Thriller Is Less Weighty Than It Thinks A great deal of heart and effort has gone into OUT OF THE FURNACE, and it’s disappointing to see the film resolve itself i...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Blended”

  BLENDED:  Not Even For Free – A Bad Sitcom Episode, 4 Times As Long On the Adam Sandler Movie Pain-o-Meter (patent pending), the new BLENDED ranks about midway between the not-so-bad Just Go With It and the soul-c...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “God’s Pocket”

  Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET.  Based on a novel by Pete Dexter, it marked the feature directing debu...
by Mitch Salem