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SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “G.I. Joe: Retaliation”

  G.I. JOE: RETALIATION:  Not Even For Free – Endlessly Dumb Exercise In Boom-Boom Action There’s a difference between making a movie for 11-year old boys and having a script that seems to have been written by...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Trouble With the Curve”

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball ...
by Mitch Salem
 
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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Tim Burton’s “Batman Returns”

  After the gigantic success of Batman, Tim Burton went on to direct Edward Scissorhands, which although naturally a smaller level of hit, was enormously important to Burton’s career, because it was a very personal p...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Ice Age: Continental Drift”

  ICE AGE:  CONTINENTAL DRIFT – Watch It At Home – The CSI of Family Franchises Does Its Thing   You know what the fabulous Peter Dinklage never gets to do on Game of Thrones?  Sing!  That’s remed...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hansel & Gretel: Witch Hunters”

  HANSEL & GRETEL: WITCH HUNTERS:  Not At Any Price – Audiences Won’t Live Happily Ever After HANSEL & GRETEL: WITCH HUNTERS is mostly terrible, but say this for it:  it’s not terrible like anyt...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hitchcock”

  HITCHCOCK:  Worth A Ticket (Opens November 23) – A Moderately Good Eve-ening The American Film Institute’s yearly festival opened tonight with the world premiere of the fittingly movie-centric HITCHCOCK.  I...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Parker”

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Crui...
by Mitch Salem
 
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Archive

SHOWBUZZDAILY RETROSPECTIVE REVIEW: Joel Schumacher’s “Batman Forever”

  As Alex in A Clockwork Orange would say, this is the real and like tragic part of the story beginning, O my brothers.  After Batman Returns undergrossed Batman by $90M in the US, Warners, you might say, freaked out.  A...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Taken 2”

  TAKEN 2:  Watch It At Home – “Particular Set of Skills” Indeed   As silly sequels to mindless hits go, TAKEN 2 is fairly entertaining, at least for a while.  The first movie, of course, was a sur...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Divergent”

  DIVERGENT:  Watch It At Home – Not Hungry Enough The film of DIVERGENT, even more than Veronica Roth’s YA-franchise source novel, is determined to resemble The Hunger Games as much as any movie can that̵...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Frankenweenie”

  FRANKENWEENIE:  Watch It At Home – Tim Burton Tries To Bring His Old Creation Back to Life Tim Burton certainly can’t have planned it this way, but his new stop-motion feature version of FRANKENWEENIE serves...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Not Fade Away”

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 
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