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Current Release

SHOWBUZZDAILY FILM REVIEW: “R.I.P.D.”

  R.I.P.D.:  Not Even For Free – No Life After Death For This One Ryan Reynolds plays a dead man in the new R.I.P.D., and thus it makes sense that his character would be frustrated and depressed for much of its leng...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Thor: The Dark World”

  THOR: THE DARK WORLD:  Watch It At Home – The Universe Is In Danger! (Yawn) Massive superhero adventures are now so plentiful that they’re a genre unto themselves.  Within Marvel’s Avengers universe, ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY’S TORONTO FILM FESTIVAL ROUND-UP

  This year’s Toronto International Film Festival had a very solid line-up, so much so that although the titles below are listed in rough order of preference, even the worst of them is of some interest, very possibly...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “White House Down”

  WHITE HOUSE DOWN:  Worth A Ticket – Things Go “Boom”; We Go “Yay” WHITE HOUSE DOWN is wondrously stupid, so merrily, spectacularly idiotic that it washes the taste of Olympus Has Fallen and...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Side Effects”

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Lawless”

  LAWLESS:  Watch It At Home – A Moonshine War To Make You Long for “Boardwalk Empire” Director John Hillcoat specializes in stark, emotionally distanced pulp, and if that sounds like a contradiction in ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Turbo”

  TURBO:  Watch It At Home – Nothing Supercharged About the Script If the new DreamWorks Animation release TURBO proves anything, it’s that even for the competition, there’s a special mystique about the ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Parker”

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Crui...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Short Term 12″”

  SHORT TERM 12:  Run To the Multiplex – Powerful and Moving Indie Drama How can I make you want to see SHORT TERM 12?  It’s one of the year’s best pictures, but I feel as though describing the plot and...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “The Lifeguard”

  If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Cas...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Touchy Feely”

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 
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