Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Way, Way Back”

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M p...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Necessary Death of Charlie Countryman”

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true,...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Evil Dead”

  EVIL DEAD:  Watch It At Home – Plenty of Icky, Not So Much Scary A slick, Hollywood-budgeted remake of Sam Raimi’s 1981 EVIL DEAD (actually there was a ‘the” in front of that one, the definite ar...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Upstream Color”

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surpris...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Zero Dark Thirty”

  ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic. ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Fruitvale”

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Whiplash”

  Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark.  Whiplash won both the Grand J...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Pilot Review: “Inhumans”

  INHUMANS:  Friday 9PM on ABC (starting Sept 29) – Change the Channel In this world of Peak TV, it’s harder for a new series to break through the clutter than it’s ever been, and that thicket will be a ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “A Good Day To Die Hard”

  A GOOD DAY TO DIE HARD:  Not Even For Free – Yippee-Ki-Boo As part of its promotion campaign for the new A GOOD DAY TO DIE HARD, 20th Century Fox is holding a day-long series of Die Hard marathons around the count...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Sabotage”

  SABOTAGE:  Not Even For Free – A Bloody Waste SABOTAGE is a lot bloodier than you’re expecting.  A lot bloodier.  I mention this upfront because although an R-rated Arnold Schwarzenegger vehicle carries wi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Very Good Girls”

  VERY GOOD GIRLS is set in contemporary Brooklyn, but it’s shot (by Bobby Bukowski) with the kind of gauzy glow that suggests a European perfume commercial.  It’s lovely to look at, but also mystifying and u...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Tim Burton’s “Batman Returns”

  After the gigantic success of Batman, Tim Burton went on to direct Edward Scissorhands, which although naturally a smaller level of hit, was enormously important to Burton’s career, because it was a very personal p...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Inevitable Defeat of Mister and Pete”

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going witho...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Carrie”

  CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it̵...
by Mitch Salem